Alistair MacLeod talks about his work on his novel, No Great Mischief If They Fall (recently published as No Great Mischief), and compares short story writing to a "hundred-yard dash" while novel writing is a walk to Montreal (presumably from Windsor). He claims that some of the best writing being done in Canada is by short-story writers. The writer situates himself in the realist tradition and cites the importance of landscape, orality, and "the ring of authenticity" to his work
The contemporary Canadian short story has a specific place among literary genres in Canadian literat...
First Nations, Metis and Inuit writers must, in many respects, be the yard-stick against which the r...
The narrators in Alistair MacLeod's "The Road to Rankin's Point" and Neil Gunn's Highland River retu...
Alistair MacLeod talks about his work on his novel, No Great Mischief If They Fall (recently publish...
Born in Canada and raised in Cape Breton, Nova Scotia, Alistair MacLeod chooses the harsh landscape ...
Scottish emigration to North America is certainly one of the most relevant events in Scottish histor...
If Alistair MacLeod repeatedly examines similar themes and issues in his two collections of short st...
The short stories of Alistair MacLeod are strongly influenced by the traditional folk culture of the...
In 1970s, Margaret Atwood published a monograph Survival: A Thematic Guide to Canadian Literature (1...
Alistair MacLeod's The Lost Salt Gift of Blood is both regional and rural, but MacLeod's achievement...
This issue of Revue Etudes Canadiennes/ Canadian Studies, (n°77) is devoted to Alice Munro’s short f...
This article aims to explore some of the controversial aspects that come up when dealing with the Sc...
This paper examines how Canadian writer Alistair MacLeod, in his latest short story entitled “Cleara...
Realism and regionalism are tightly coupled in critical analysis of Alistair MacLeod’s fiction, but ...
For over 40 years Dr. Scott McIntyre has been an active promoter of the Canadian cultural industry. ...
The contemporary Canadian short story has a specific place among literary genres in Canadian literat...
First Nations, Metis and Inuit writers must, in many respects, be the yard-stick against which the r...
The narrators in Alistair MacLeod's "The Road to Rankin's Point" and Neil Gunn's Highland River retu...
Alistair MacLeod talks about his work on his novel, No Great Mischief If They Fall (recently publish...
Born in Canada and raised in Cape Breton, Nova Scotia, Alistair MacLeod chooses the harsh landscape ...
Scottish emigration to North America is certainly one of the most relevant events in Scottish histor...
If Alistair MacLeod repeatedly examines similar themes and issues in his two collections of short st...
The short stories of Alistair MacLeod are strongly influenced by the traditional folk culture of the...
In 1970s, Margaret Atwood published a monograph Survival: A Thematic Guide to Canadian Literature (1...
Alistair MacLeod's The Lost Salt Gift of Blood is both regional and rural, but MacLeod's achievement...
This issue of Revue Etudes Canadiennes/ Canadian Studies, (n°77) is devoted to Alice Munro’s short f...
This article aims to explore some of the controversial aspects that come up when dealing with the Sc...
This paper examines how Canadian writer Alistair MacLeod, in his latest short story entitled “Cleara...
Realism and regionalism are tightly coupled in critical analysis of Alistair MacLeod’s fiction, but ...
For over 40 years Dr. Scott McIntyre has been an active promoter of the Canadian cultural industry. ...
The contemporary Canadian short story has a specific place among literary genres in Canadian literat...
First Nations, Metis and Inuit writers must, in many respects, be the yard-stick against which the r...
The narrators in Alistair MacLeod's "The Road to Rankin's Point" and Neil Gunn's Highland River retu...