While critics have rejected fidelity as a ground for the analysis of adaptations since the seminal work of George Bluestone in 1957, the logic of source-faithfulness nonetheless persists in popular discourse. This essay considers the persistence of fidelity idealism by positing its basic assumptions as a necessary component for the interpretation of adaptations as such. It argues that fidelity discourse depends on the fallacious assumption that, at some level, an adaptation can replicate elements of a source text in a new medium. By shifting focus from the ostensibly inherent features of the adaptive text to the perceptions of the reader or viewer, it can be seen that adaptation is a class of metaphor, depending on what Nietzsche calls “equ...
Despite both critical and institutional progress over the past decade, it appears that adaptation st...
The problematic nature of the adaptation of literary works to cinema is still today a widely debated...
An adaptation is not vampiric: it does not draw the life-blood from its source and leave it dying or...
Adaptation persists as a major area of inquiry in both film and literary studies. Over the past two ...
High Fidelity is a novel written by Nick Hornby and was published in 1995. Five years later, a film ...
The starting point of this dissertation is a history of ideas tacitly organized around the conceptio...
This article analyzes preconceptions about fidelity critisism in screen adaptation. It argues that t...
This thesis proposes a return to the issue of fidelity criticism in adaptation studies through a det...
In publications and conference presentations concerning adaptation, it has been an accepted practice...
In an article in The Atlantic, Alyssa Rosenberg compares HBO series Game of Thrones to True Blood in...
This article probes the grey area between lies and fiction in order to interrogate the effects such ...
As Deleyto claims (1991:162), it is through films that most stories are told nowadays. We can add to...
Adaptation is defined as one specific, sometimes even quintessential, form of intertextual activity,...
The phrase “high fidelity” might be said to be “tuned to moralist resonances”. The promise of techno...
On one hand, the critical notion of adaptation is currently challenged by recent concepts such as "t...
Despite both critical and institutional progress over the past decade, it appears that adaptation st...
The problematic nature of the adaptation of literary works to cinema is still today a widely debated...
An adaptation is not vampiric: it does not draw the life-blood from its source and leave it dying or...
Adaptation persists as a major area of inquiry in both film and literary studies. Over the past two ...
High Fidelity is a novel written by Nick Hornby and was published in 1995. Five years later, a film ...
The starting point of this dissertation is a history of ideas tacitly organized around the conceptio...
This article analyzes preconceptions about fidelity critisism in screen adaptation. It argues that t...
This thesis proposes a return to the issue of fidelity criticism in adaptation studies through a det...
In publications and conference presentations concerning adaptation, it has been an accepted practice...
In an article in The Atlantic, Alyssa Rosenberg compares HBO series Game of Thrones to True Blood in...
This article probes the grey area between lies and fiction in order to interrogate the effects such ...
As Deleyto claims (1991:162), it is through films that most stories are told nowadays. We can add to...
Adaptation is defined as one specific, sometimes even quintessential, form of intertextual activity,...
The phrase “high fidelity” might be said to be “tuned to moralist resonances”. The promise of techno...
On one hand, the critical notion of adaptation is currently challenged by recent concepts such as "t...
Despite both critical and institutional progress over the past decade, it appears that adaptation st...
The problematic nature of the adaptation of literary works to cinema is still today a widely debated...
An adaptation is not vampiric: it does not draw the life-blood from its source and leave it dying or...