This study was undertaken in an effort to determine if there are differences between visual and aural approaches to tonal and rhythm reading instruction. Grade five beginning instrumental music students received instruction using one of two visual treatments or using an aural treatment. No significant difference was found between treatments for tonal or rhythm reading skills. A significant difference was found between students who possess either high or low aptitude levels on tonal reading skills. It was concluded that beginning instrumentalists who possess high tonal audiation ability develop better music reading skills than students who possess low tonal audiation ability. Also, it was concluded that music teachers who are interes...
The purpose of this study was to determine whether beginning instrumental students taught with a mod...
This study investigated the functional nature of a model for aural-visual iden-tification instructio...
Includes bibliographical references (pages [83]-86)Instrumental music education is performance-based...
This study was undertaken in an effort to determine if there are differences between visual and aur...
Aural skills training needs to be included in the beginning band curriculum. Educators strive to hel...
The problem in this study was to investigate the effects of visual interventions (i.e., various form...
Music reading skills are acknowledged as essential for musicians when learning new pieces, accompany...
The purpose of this study was to determine if the development of aural and improvisatory skills or p...
The purpose of this study was to determine if the development of aural and improvisatory skills or p...
The purpose of this study was to determine if the development of aural and improvisatory skills or p...
The purpose of this study was to determine if the development of aural and improvisatory skills or p...
Includes bibliographical references (pages 104-109)The purpose of this thesis is to determine relate...
For the musician, aural skills mean training our ears to identify the basic elements of music. These...
UnrestrictedThe purpose of this study was to compare relative gains in sight reading ability by two ...
There is evidence that the strategies used by fluent readers of written language and by fluent "sigh...
The purpose of this study was to determine whether beginning instrumental students taught with a mod...
This study investigated the functional nature of a model for aural-visual iden-tification instructio...
Includes bibliographical references (pages [83]-86)Instrumental music education is performance-based...
This study was undertaken in an effort to determine if there are differences between visual and aur...
Aural skills training needs to be included in the beginning band curriculum. Educators strive to hel...
The problem in this study was to investigate the effects of visual interventions (i.e., various form...
Music reading skills are acknowledged as essential for musicians when learning new pieces, accompany...
The purpose of this study was to determine if the development of aural and improvisatory skills or p...
The purpose of this study was to determine if the development of aural and improvisatory skills or p...
The purpose of this study was to determine if the development of aural and improvisatory skills or p...
The purpose of this study was to determine if the development of aural and improvisatory skills or p...
Includes bibliographical references (pages 104-109)The purpose of this thesis is to determine relate...
For the musician, aural skills mean training our ears to identify the basic elements of music. These...
UnrestrictedThe purpose of this study was to compare relative gains in sight reading ability by two ...
There is evidence that the strategies used by fluent readers of written language and by fluent "sigh...
The purpose of this study was to determine whether beginning instrumental students taught with a mod...
This study investigated the functional nature of a model for aural-visual iden-tification instructio...
Includes bibliographical references (pages [83]-86)Instrumental music education is performance-based...