In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences who turned disjointed variety show acts into a phenomenally successful business. First introduced in the late nineteenth century, by 1915 vaudeville was being performed across the globe, incorporating thousands of performers from every branch of show business. Its astronomical success relied on a huge network of theatres, each part of a circuit and administered from centralized booking offices. Gebhardt shows us how vaudeville transformed relationships among performers, managers, and audiences, and argues that these changes affected popular music culture in ways we are still seeing today. Drawing on firsthand accounts, Gebhardt explores the pr...
This dissertation explores the origins of the American entertainment industry, revealing the network...
Musical theatre has come into its own in America; so much so that it has its own distinct identity. ...
The principal force that shaped the lives of Americans in the 1930s was the great economic Depressio...
During the late nineteenth and early twentieth century, traveling amusements such as circuses, minst...
Vaudeville was an expressive, innovative, and quirky form of popular entertainment in America that s...
Blackface minstrelsy had its beginnings in the 1830s, when minstrel musical acts appeared as interlu...
This project establishes the crucial role vaudeville played in the legal reforms, cultural evolution...
The vaudeville criticism of Epes Winthrop Sargent provides an untapped source of information about v...
More people attended the circus in the nineteenth-century than any other contemporary amusement. Cir...
The early 20th-century community singing movement was an organized effort by music educators, compos...
In the years from the first production of The Black Crook in 1866 to The Earl and the Girl in 1905, ...
This dissertation argues that scholars should not equate the demise of vaudeville as a cultural indu...
International audienceThe centre of musical entertainment in Britain at the turn of the 20th century...
The qualification for inclusion on this record—that a "popular " song has been unjustly un...
International audienceMy own speciality is the British music-hall, especially its later period, afte...
This dissertation explores the origins of the American entertainment industry, revealing the network...
Musical theatre has come into its own in America; so much so that it has its own distinct identity. ...
The principal force that shaped the lives of Americans in the 1930s was the great economic Depressio...
During the late nineteenth and early twentieth century, traveling amusements such as circuses, minst...
Vaudeville was an expressive, innovative, and quirky form of popular entertainment in America that s...
Blackface minstrelsy had its beginnings in the 1830s, when minstrel musical acts appeared as interlu...
This project establishes the crucial role vaudeville played in the legal reforms, cultural evolution...
The vaudeville criticism of Epes Winthrop Sargent provides an untapped source of information about v...
More people attended the circus in the nineteenth-century than any other contemporary amusement. Cir...
The early 20th-century community singing movement was an organized effort by music educators, compos...
In the years from the first production of The Black Crook in 1866 to The Earl and the Girl in 1905, ...
This dissertation argues that scholars should not equate the demise of vaudeville as a cultural indu...
International audienceThe centre of musical entertainment in Britain at the turn of the 20th century...
The qualification for inclusion on this record—that a "popular " song has been unjustly un...
International audienceMy own speciality is the British music-hall, especially its later period, afte...
This dissertation explores the origins of the American entertainment industry, revealing the network...
Musical theatre has come into its own in America; so much so that it has its own distinct identity. ...
The principal force that shaped the lives of Americans in the 1930s was the great economic Depressio...