Vaudeville was an expressive, innovative, and quirky form of popular entertainment in America that spanned the turn of the twentieth century. Yet, vaudeville was more than mere entertainment for the American mass culture—it was a reflection of the rapidly changing waters of American life. In the era of vaudeville, from the early 1980s to the early 1930s, American enjoyed a time of unparalleled growth and urbanization, increasing diversity, and upward social mobility. These changes were both reflected in and shaped by vaudeville itself. As shown in Vaudeville, from the American Masters Series, as America grew, vaudeville became less risque, showed even greater diversity of performers, and ushered in the age of stardom in entertainment. ...
The greatest thing that vaudeville contributed to the legitimate theatre and to films was talented a...
This dissertation argues that scholars should not equate the demise of vaudeville as a cultural indu...
Includes bibliographical references (pages 54-73), recorded video files in MOV and MP4 formats, 47:2...
This study affords an entirely new view of the nature of modern popular entertainment. American vaud...
At the turn of the twentieth century vaudeville was the most prevalent form of theatrical entertainm...
This project establishes the crucial role vaudeville played in the legal reforms, cultural evolution...
The vaudeville criticism of Epes Winthrop Sargent provides an untapped source of information about v...
More people attended the circus in the nineteenth-century than any other contemporary amusement. Cir...
Staging Race casts a spotlight on the generation of black artists who came of age between 1890 and W...
Blackface minstrelsy had its beginnings in the 1830s, when minstrel musical acts appeared as interlu...
In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences w...
This project examines the effects of a variety of popular amusements on the development of American ...
This dissertation explores the origins of the American entertainment industry, revealing the network...
Vaudeville was the most popular form of entertainment in the United States, from roughly the 1890s t...
During the late nineteenth and early twentieth century, traveling amusements such as circuses, minst...
The greatest thing that vaudeville contributed to the legitimate theatre and to films was talented a...
This dissertation argues that scholars should not equate the demise of vaudeville as a cultural indu...
Includes bibliographical references (pages 54-73), recorded video files in MOV and MP4 formats, 47:2...
This study affords an entirely new view of the nature of modern popular entertainment. American vaud...
At the turn of the twentieth century vaudeville was the most prevalent form of theatrical entertainm...
This project establishes the crucial role vaudeville played in the legal reforms, cultural evolution...
The vaudeville criticism of Epes Winthrop Sargent provides an untapped source of information about v...
More people attended the circus in the nineteenth-century than any other contemporary amusement. Cir...
Staging Race casts a spotlight on the generation of black artists who came of age between 1890 and W...
Blackface minstrelsy had its beginnings in the 1830s, when minstrel musical acts appeared as interlu...
In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences w...
This project examines the effects of a variety of popular amusements on the development of American ...
This dissertation explores the origins of the American entertainment industry, revealing the network...
Vaudeville was the most popular form of entertainment in the United States, from roughly the 1890s t...
During the late nineteenth and early twentieth century, traveling amusements such as circuses, minst...
The greatest thing that vaudeville contributed to the legitimate theatre and to films was talented a...
This dissertation argues that scholars should not equate the demise of vaudeville as a cultural indu...
Includes bibliographical references (pages 54-73), recorded video files in MOV and MP4 formats, 47:2...