"Pervasive Animation: An Introduction" explains the theoretical context of Buchan’s term - the book's title. It engages with debates around the crisis in film studies as digital animation replaces celluloid, challenges the prevailing ideology of realism in film studies that disavows viewers’ other creative modes of perception and mental activity, and describes how each chapter offers models for scholars to apply their own expertise to animation
Theories of spectatorship and cinema are nothing new. In fact, they abound. On the other hand, theor...
The Animation Studies Reader brings together both key writings within animation studies and new mate...
What do we mean by the term 'animation' when we are discussing film? Is it a technique? A style? A w...
"Pervasive Animation: An Introduction" explains the theoretical context of Buchan’s term - the book'...
Most of us today are aware of the many ways animation has infiltrated our visual culture. Exposure a...
This new addition to the AFI Film Readers series brings together original scholarship on animation i...
Animation encompasses an extraordinarily wide-ranging set of techniques and practices and thus const...
Experimental Animation: From Analogue to Digital, focuses on both experimental animation’s deep root...
Animation - Process, Cognition and Actualitypresents a uniquely philosophical and multi-disciplinary...
Animation is pervasive. As Suzanne Buchan has observed, “[i]t is transforming cinema, is the basis f...
Since its early days, animation film has always reflected its cultural context at the time of creati...
This book examines the role of memory in animation, as well as the ways in which the medium of anima...
Animated ‘Worlds’ is an edited compilation of the papers presented at the Animated ‘Worlds’ conferen...
Experimental Animation: From Analogue to Digital focuses on both experimental animation's deep roots...
Within Cinema, animation always had an unclear relation with live-action recording since its very be...
Theories of spectatorship and cinema are nothing new. In fact, they abound. On the other hand, theor...
The Animation Studies Reader brings together both key writings within animation studies and new mate...
What do we mean by the term 'animation' when we are discussing film? Is it a technique? A style? A w...
"Pervasive Animation: An Introduction" explains the theoretical context of Buchan’s term - the book'...
Most of us today are aware of the many ways animation has infiltrated our visual culture. Exposure a...
This new addition to the AFI Film Readers series brings together original scholarship on animation i...
Animation encompasses an extraordinarily wide-ranging set of techniques and practices and thus const...
Experimental Animation: From Analogue to Digital, focuses on both experimental animation’s deep root...
Animation - Process, Cognition and Actualitypresents a uniquely philosophical and multi-disciplinary...
Animation is pervasive. As Suzanne Buchan has observed, “[i]t is transforming cinema, is the basis f...
Since its early days, animation film has always reflected its cultural context at the time of creati...
This book examines the role of memory in animation, as well as the ways in which the medium of anima...
Animated ‘Worlds’ is an edited compilation of the papers presented at the Animated ‘Worlds’ conferen...
Experimental Animation: From Analogue to Digital focuses on both experimental animation's deep roots...
Within Cinema, animation always had an unclear relation with live-action recording since its very be...
Theories of spectatorship and cinema are nothing new. In fact, they abound. On the other hand, theor...
The Animation Studies Reader brings together both key writings within animation studies and new mate...
What do we mean by the term 'animation' when we are discussing film? Is it a technique? A style? A w...