Harmonic complex tones with a flat spectrum can produce pitch sensations related to the frequencies of the lowest and the highest components. We studied the edge pitch created at the upper spectral edge of complexes with a low-pass spectrum by asking subjects to adjust the frequency of a sinusoidal comparison tone to the perceived pitch. Measurements were performed for different values of the fundamental frequency and of the upper frequency of the complex as well as for three different phase relations of the harmonic components. For a wide range of these parameters the subjects could adjust the comparison tone with a high degree of accuracy, measured as the standard deviation of repeated adjustments, to a frequency close to the nominal edge...