Add to ORKGSocial movements in Mexico City and Los Angeles inspired muralists to employ indigenous imagery to politicize and celebrate an identity oppressed by the state and neglected in popular media. The Mexican Mural Movement in the 1920s, and the Chicano Movement in Los Angeles in the 1970s, produced murals that often depicted the Aztec gods Quetzalcoatl and Huitzilopochtli. In this project, I explore the importance of the use of indigenous imagery, and explain the significance of these two gods for the painters and their audiences, then and now
El muralismo de la ciudad de Chihuahua, capital del estado homónimo al norte de México, exhibe una p...
The Spirit of Aztlan celebrates Mexican and MexicanAmerican art and its significant contribution to ...
The Mexican Revolution (1910-1920) succeeded in reclaiming the nation from foreign influence as well...
As the Chicano movement took shape in the 1960s, Chicano artists quickly began to articulate the att...
The goal of this project was to explore the ways in which Chicano muralists of the 1970s and 80s use...
287 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2003.By depicting images of indige...
This thesis is a multidisciplinary project, drawing on the discourses of Visual Cultural Studies, La...
Murals have been an important medium of public expression in Mexico since the Mexican Revolution, an...
Mexico-Tenochitlan--The wall that talks, Highland Park, Los Angeles, 1996. Arroyo Furniture, 6037 No...
How has 20th century Indigenous/Indigenist art influenced the ways in which Indigenous peoples of Ec...
The Hispanic population is rapidly increasing. The U. S. 2000 Census reports that the Hispanic popul...
This is the first comprehensive study of the mural La Dualidad (The Duality) designed by Chicano art...
Los tres grandes were the leading members of the Mexican Mural Renaissance, a government sponsored p...
Chicano artists in the United States often find their inspiration in the great personalities from th...
This research project aims to analyze the relationships between national Mexican mestizaje and offic...
El muralismo de la ciudad de Chihuahua, capital del estado homónimo al norte de México, exhibe una p...
The Spirit of Aztlan celebrates Mexican and MexicanAmerican art and its significant contribution to ...
The Mexican Revolution (1910-1920) succeeded in reclaiming the nation from foreign influence as well...
As the Chicano movement took shape in the 1960s, Chicano artists quickly began to articulate the att...
The goal of this project was to explore the ways in which Chicano muralists of the 1970s and 80s use...
287 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2003.By depicting images of indige...
This thesis is a multidisciplinary project, drawing on the discourses of Visual Cultural Studies, La...
Murals have been an important medium of public expression in Mexico since the Mexican Revolution, an...
Mexico-Tenochitlan--The wall that talks, Highland Park, Los Angeles, 1996. Arroyo Furniture, 6037 No...
How has 20th century Indigenous/Indigenist art influenced the ways in which Indigenous peoples of Ec...
The Hispanic population is rapidly increasing. The U. S. 2000 Census reports that the Hispanic popul...
This is the first comprehensive study of the mural La Dualidad (The Duality) designed by Chicano art...
Los tres grandes were the leading members of the Mexican Mural Renaissance, a government sponsored p...
Chicano artists in the United States often find their inspiration in the great personalities from th...
This research project aims to analyze the relationships between national Mexican mestizaje and offic...
El muralismo de la ciudad de Chihuahua, capital del estado homónimo al norte de México, exhibe una p...
The Spirit of Aztlan celebrates Mexican and MexicanAmerican art and its significant contribution to ...
The Mexican Revolution (1910-1920) succeeded in reclaiming the nation from foreign influence as well...