The entremés of Los habladores has had its critical swings. Some scholars attribute it to Cervantes, others to Lope, most consider it anonymous. Surprisingly we lacked a reliable edition. In this work, I do not intend to solve the authorship nor to propose an exhaustive analysis of the possible interesting aspects of the text. My main objective is to provide a reliable text, with a series of notes, and add a brief commentary to contextualize it.El entremés de Los habladores ha tenido sus vaivenes críticos. Algunos estudiosos lo atribuyen a Cervantes, otros a Lope, los más lo consideran anónimo, pero no se ha abordado lo que parece más urgente, elaborar una edición fiable del texto. En este trabajo no pretendo resolver la autoría ni plantear...
Through examples taken from comedies recently attributed to Lope de Vega, this article deals with ce...
This article raises a dialogue with the editors of Don Quixote and the Cervantist critics in general...
Critical answer to Baras Escolá’s review about Cervantes’ interludes.Respuesta crítica a la reseña d...
From the textual research into Cervantes plays, absolutely essential to elaborate critical editions ...
Around 1880, Feliciano Ortego, a doctor established in Palencia, got a copy of one of the first edit...
In this paper we make a critical review of the ten entremeses that have ever been attributed to Cerv...
Address in these pages the problem of incongruity between text and title of Chapters X and XV of Don...
Critical answer to Alfredo Baras Escolá’s note: «Sobre una reciente edición de Adrián J. Sáez (Cerva...
This article seeks to provide a representative overview of the interest that Cervantes and Don Quixo...
En este artículo se lleva a cabo un análisis léxico de estos dos entremeses con la conclusión de que...
Correction of some errors in a new edition of Cervantes’s Entremeses by Adrián J. Sáez.Rectificación...
This paper deals, on the one hand, with Cervantes’s various patrons who provided him with economic a...
The aim of this paper is identifying the genuine voice of the Cervantes creator in the multiple choi...
Critical answer to Baras Escolá’s review about Cervantes’ interludes.Respuesta crítica a la reseña d...
This work aims to point out that Cervantes’ eigth farces (entremeses), published in 1615, form a «sy...
Through examples taken from comedies recently attributed to Lope de Vega, this article deals with ce...
This article raises a dialogue with the editors of Don Quixote and the Cervantist critics in general...
Critical answer to Baras Escolá’s review about Cervantes’ interludes.Respuesta crítica a la reseña d...
From the textual research into Cervantes plays, absolutely essential to elaborate critical editions ...
Around 1880, Feliciano Ortego, a doctor established in Palencia, got a copy of one of the first edit...
In this paper we make a critical review of the ten entremeses that have ever been attributed to Cerv...
Address in these pages the problem of incongruity between text and title of Chapters X and XV of Don...
Critical answer to Alfredo Baras Escolá’s note: «Sobre una reciente edición de Adrián J. Sáez (Cerva...
This article seeks to provide a representative overview of the interest that Cervantes and Don Quixo...
En este artículo se lleva a cabo un análisis léxico de estos dos entremeses con la conclusión de que...
Correction of some errors in a new edition of Cervantes’s Entremeses by Adrián J. Sáez.Rectificación...
This paper deals, on the one hand, with Cervantes’s various patrons who provided him with economic a...
The aim of this paper is identifying the genuine voice of the Cervantes creator in the multiple choi...
Critical answer to Baras Escolá’s review about Cervantes’ interludes.Respuesta crítica a la reseña d...
This work aims to point out that Cervantes’ eigth farces (entremeses), published in 1615, form a «sy...
Through examples taken from comedies recently attributed to Lope de Vega, this article deals with ce...
This article raises a dialogue with the editors of Don Quixote and the Cervantist critics in general...
Critical answer to Baras Escolá’s review about Cervantes’ interludes.Respuesta crítica a la reseña d...