Referring to the accompanying short film Projections, this piece interrogates meanings of “remediation”. The film is a compilation of short clips, music, and narrative working to create a multi-sensory experience to challenge the perceptions we have of ourselves and others in a media-centered view. Through the incorporation of theoretical anthropological texts, this piece touches on co-occurring capitalist and poetic remediation. The former creates an imagined depiction of what a product is, utilizing the screen to do so; the latter suggests a form of poetry is invented by using media.  
Since the arrival of cinema, film theorists have studied how spectators perceive the representations...
Part of topic : Ambiantal experiences and experimentsInternational audienceThis paper elucidates how...
Abstract Films can be seen as cultural projections of technoscientific futures. The ways that techno...
This video projection questions the perceptual relationship between ‘word’ and ‘image’. It delves in...
This paper returns to the cinematic concept of “expanded cinema” focusing on current forms of expans...
Film is a technological medium, and as one which is also mimetic, it often includes other technologi...
textAn observation, whether it be real or fictitious, has the ability to create its own meaning with...
Abstract only availableMy research examines both the creation of and theory behind the widely neglec...
The integration of digital media into traditional theatre is at once inevitable and impossible. The ...
International audienceAudiovisual culture often privileges the instantly identifiable: the recogniza...
The paper will screen and discuss sections from my films Synophresia Nervosa (2014) and Private Life...
International audienceAudiovisual culture often privileges the instantly identifiable: the recogniza...
This paper explores the extent to which film can be viewed as a discursive practice and as such the ...
Dirk de Bruyn’s expanded cinema performances engage the æsthetics of process at a number of levels. ...
Film’s extraordinary capacity for life-like representation and thus for aesthetic illusion operates ...
Since the arrival of cinema, film theorists have studied how spectators perceive the representations...
Part of topic : Ambiantal experiences and experimentsInternational audienceThis paper elucidates how...
Abstract Films can be seen as cultural projections of technoscientific futures. The ways that techno...
This video projection questions the perceptual relationship between ‘word’ and ‘image’. It delves in...
This paper returns to the cinematic concept of “expanded cinema” focusing on current forms of expans...
Film is a technological medium, and as one which is also mimetic, it often includes other technologi...
textAn observation, whether it be real or fictitious, has the ability to create its own meaning with...
Abstract only availableMy research examines both the creation of and theory behind the widely neglec...
The integration of digital media into traditional theatre is at once inevitable and impossible. The ...
International audienceAudiovisual culture often privileges the instantly identifiable: the recogniza...
The paper will screen and discuss sections from my films Synophresia Nervosa (2014) and Private Life...
International audienceAudiovisual culture often privileges the instantly identifiable: the recogniza...
This paper explores the extent to which film can be viewed as a discursive practice and as such the ...
Dirk de Bruyn’s expanded cinema performances engage the æsthetics of process at a number of levels. ...
Film’s extraordinary capacity for life-like representation and thus for aesthetic illusion operates ...
Since the arrival of cinema, film theorists have studied how spectators perceive the representations...
Part of topic : Ambiantal experiences and experimentsInternational audienceThis paper elucidates how...
Abstract Films can be seen as cultural projections of technoscientific futures. The ways that techno...