The volume grew out of a conference on Classics in Post-Colonial Worlds held at theOpen University in the West Midlands Centre in Harborne, Birmingham in May2004
Volume seven in the series WVT Handbooks on Literary Studies, Post-Colonial Theory and Literatures c...
A review of Michael Silk, Ingo Gildenhard, Rosemary Barrow (eds), The Classical Tradition: Art, Lite...
Atlantis Otherwise expands the study of the African diaspora by focusing on postcolonial literary ex...
The volume grew out of a conference on Classics in Post-Colonial Worlds held at theOpen University i...
This exceptional volume edited by Grant Parker on the role of Classics and its heritage in South Afr...
Classical material was traditionally used to express colonial authority, but it was also appropriate...
1. INTRODUCTION During 1993, the two authors, in collaboration with Jessie Maritz (University of Zim...
Reception studies in Classics are, as Lorna Hardwick (2003:iii) remarks in the preface to her ...
This recent addition to the excellent Blackwell Companions series looks at the various forms o...
This collection of articles derives in part from the papers presented at the 26th biennial conferenc...
About the book: This original collection of articles, derived in part from the papers presented at t...
Alexander Osei Adum Kwapong (1927–2014) was a notable classical scholar who studied at the renowned ...
My definitions here of the colonial and post-colonial are historical, rather than in terms of changi...
Adaptation of Classical Greek plays has been with the theatre throughout its development in the west...
Faced with the criticism that myth and epic poetry have no place in contemporary South African liter...
Volume seven in the series WVT Handbooks on Literary Studies, Post-Colonial Theory and Literatures c...
A review of Michael Silk, Ingo Gildenhard, Rosemary Barrow (eds), The Classical Tradition: Art, Lite...
Atlantis Otherwise expands the study of the African diaspora by focusing on postcolonial literary ex...
The volume grew out of a conference on Classics in Post-Colonial Worlds held at theOpen University i...
This exceptional volume edited by Grant Parker on the role of Classics and its heritage in South Afr...
Classical material was traditionally used to express colonial authority, but it was also appropriate...
1. INTRODUCTION During 1993, the two authors, in collaboration with Jessie Maritz (University of Zim...
Reception studies in Classics are, as Lorna Hardwick (2003:iii) remarks in the preface to her ...
This recent addition to the excellent Blackwell Companions series looks at the various forms o...
This collection of articles derives in part from the papers presented at the 26th biennial conferenc...
About the book: This original collection of articles, derived in part from the papers presented at t...
Alexander Osei Adum Kwapong (1927–2014) was a notable classical scholar who studied at the renowned ...
My definitions here of the colonial and post-colonial are historical, rather than in terms of changi...
Adaptation of Classical Greek plays has been with the theatre throughout its development in the west...
Faced with the criticism that myth and epic poetry have no place in contemporary South African liter...
Volume seven in the series WVT Handbooks on Literary Studies, Post-Colonial Theory and Literatures c...
A review of Michael Silk, Ingo Gildenhard, Rosemary Barrow (eds), The Classical Tradition: Art, Lite...
Atlantis Otherwise expands the study of the African diaspora by focusing on postcolonial literary ex...
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