What is the professional training for the puppeteer? In this report I present a perspective of the different possibilities of training of this professional in Romania
The article presents the rationale that training for scenic speech for puppeteers should be specific...
A provocation reflecting on puppet theatre directing, the director’s tools,teaching and training phi...
This article discusses, through a dialogue between puppeteers, teachers and academics Cariad Astles ...
What is the professional training for the puppeteer? In this report I present a perspective of the d...
In this article the Romanian director Irina Niculescu talks about her theatrical experience, reflect...
For seventy years puppet theatre in the region of Central-Eastern Europe has been developing in a di...
The Ecole Nationale Supérieure des arts de la Marionnette was created in1987 by Margareta Niculescu ...
How does one learn to become a puppeteer in a time when traditional forms seem outmoded, and new for...
The author presents the two arms of his pedagogical practice. The first one is the work method Velli...
The author presents the two arms of his pedagogical practice. The first one is the work method Velli...
This text presents the Union Internationale de la Marionette - UNIMA, an organization founded in 192...
This text presents the Union International de la Marionette – UNIMA, an organization founded in 1929...
This article reflects on a recurring question often in the field of professionaltraining on puppetry...
At first – terminology. The words should respond to their designates. So the puppet theatre means th...
The article reflects on tradition and contemporaneity in the philosophy of training of the puppeteer...
The article presents the rationale that training for scenic speech for puppeteers should be specific...
A provocation reflecting on puppet theatre directing, the director’s tools,teaching and training phi...
This article discusses, through a dialogue between puppeteers, teachers and academics Cariad Astles ...
What is the professional training for the puppeteer? In this report I present a perspective of the d...
In this article the Romanian director Irina Niculescu talks about her theatrical experience, reflect...
For seventy years puppet theatre in the region of Central-Eastern Europe has been developing in a di...
The Ecole Nationale Supérieure des arts de la Marionnette was created in1987 by Margareta Niculescu ...
How does one learn to become a puppeteer in a time when traditional forms seem outmoded, and new for...
The author presents the two arms of his pedagogical practice. The first one is the work method Velli...
The author presents the two arms of his pedagogical practice. The first one is the work method Velli...
This text presents the Union Internationale de la Marionette - UNIMA, an organization founded in 192...
This text presents the Union International de la Marionette – UNIMA, an organization founded in 1929...
This article reflects on a recurring question often in the field of professionaltraining on puppetry...
At first – terminology. The words should respond to their designates. So the puppet theatre means th...
The article reflects on tradition and contemporaneity in the philosophy of training of the puppeteer...
The article presents the rationale that training for scenic speech for puppeteers should be specific...
A provocation reflecting on puppet theatre directing, the director’s tools,teaching and training phi...
This article discusses, through a dialogue between puppeteers, teachers and academics Cariad Astles ...
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