‘Could you stab the image of a loved one?’ This is one of six questions posed by Sophie Page and Marina Wallace, the two lead curators of Spellbound: Magic, Ritual and Witchcraft, intended to prompt visitors to ‘explore the place of magical thinking in our lives, and to connect this to magical thinking in the past’. In drawing an emotive correspondence between a person and a surrogate, it is a question that strikes at the heart of one of the exhibition’s key aims, an aim shared with the Leverhulme-funded project that enabled it: to historicize identity and subjectivity in light of emotional experience and supernatural belief.
As the author of two other monographs involving the Victorian sensory imagination, The Female Sublim...
Review of Lehrich Christopher\u27s "The occult mind: magic theory and practice"
This article tries to show whether the fantastical and magical elements in literary fiction such as ...
Reviewed book: Nadia Jeldtoft and Jørgen Nielsen (eds): Methods and Contexts in the Study of Muslim ...
Professor Arthur Versluis’ introduction to Western Esotericism provides a clear account of the histo...
Review of book by potter and writer Alison Britton published by Occasional Papers, 2013. ISBN: 97809...
The following is taken directly from the abstract: 'In my research project I examine some of the way...
In 2013, Witches and Wicked Bodies was the first major British exhibition with a focus on images of ...
This exhibition at the Guggenheim Museum in New York City is the first by a major museum (or any mus...
Book review of Supernatural America: The Paranormal in American Art edited by Robert Cozzolino et al...
Review of Stranger Magic: Charmed States and the Arabian Nights by Marina Warne
Review of: Holly Faith Nelson, Lynn R. Szabo, and Jens Zimmermann, eds., Through a Glass Darkly: Su...
Review of: Colin Manlove. C. S. Lewis: His Literary Achievement (Cheshire, CT, 2010). 256 pages. $1...
The Evolution of Modern Fantasy: From Antiquarianism to the Ballantine Adult Fantasy Series. Jamie ...
Joel D. Heck: Review of Monika B. Hilder, Sara L. Pearson, and Laura N. Van Dyke, eds., The Inkling...
As the author of two other monographs involving the Victorian sensory imagination, The Female Sublim...
Review of Lehrich Christopher\u27s "The occult mind: magic theory and practice"
This article tries to show whether the fantastical and magical elements in literary fiction such as ...
Reviewed book: Nadia Jeldtoft and Jørgen Nielsen (eds): Methods and Contexts in the Study of Muslim ...
Professor Arthur Versluis’ introduction to Western Esotericism provides a clear account of the histo...
Review of book by potter and writer Alison Britton published by Occasional Papers, 2013. ISBN: 97809...
The following is taken directly from the abstract: 'In my research project I examine some of the way...
In 2013, Witches and Wicked Bodies was the first major British exhibition with a focus on images of ...
This exhibition at the Guggenheim Museum in New York City is the first by a major museum (or any mus...
Book review of Supernatural America: The Paranormal in American Art edited by Robert Cozzolino et al...
Review of Stranger Magic: Charmed States and the Arabian Nights by Marina Warne
Review of: Holly Faith Nelson, Lynn R. Szabo, and Jens Zimmermann, eds., Through a Glass Darkly: Su...
Review of: Colin Manlove. C. S. Lewis: His Literary Achievement (Cheshire, CT, 2010). 256 pages. $1...
The Evolution of Modern Fantasy: From Antiquarianism to the Ballantine Adult Fantasy Series. Jamie ...
Joel D. Heck: Review of Monika B. Hilder, Sara L. Pearson, and Laura N. Van Dyke, eds., The Inkling...
As the author of two other monographs involving the Victorian sensory imagination, The Female Sublim...
Review of Lehrich Christopher\u27s "The occult mind: magic theory and practice"
This article tries to show whether the fantastical and magical elements in literary fiction such as ...