Review of book by potter and writer Alison Britton published by Occasional Papers, 2013. ISBN: 978095696235
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This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
This book gathers together a selection of Britton’s writings, including new, previously unpublished ...
The following publications have been reviewed by the mentioned authors;A Compendium of Craft Books, ...
Artist and Empire: Facing Britain’s Imperial Past is both a fascinating and frustrating compendium o...
Attfield\u27s wild things are the marginal things among the most trivial in our everyday life, to ...
Paula Chambers’ tenth solo show has been installed in the gallery on the first floor of the Batley L...
Review of FIELD: an exhibition of works by Ciara Phillips and Jane Topping at Satellite, Newcastle-U...
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The following publications have been reviewed by the authors;The Good Technology Guide 1994 - review...
Reclaiming Beauty is a title bringing together authors from architecture, political science, and the...
Review of The Picture Postcard: A New Window into Edwardian Ireland , by Ann Wilson (Oxford: Peter L...
Book reviews of the following academic titles: Poetic Artifice: A Theory of Twentieth-Century Poetry...
In Remote Avant-Garde: Aboriginal Art Under Occupation, Jennifer Loureide Biddle focuses on the emer...
Book review of Craft in the Laboratory: The Science of Making Things edited by Annie Carlano et al. ...
Book review by Rebecca Skeels. ‘Rarely does a good idea come from a digital tool. And most artis...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
This book gathers together a selection of Britton’s writings, including new, previously unpublished ...
The following publications have been reviewed by the mentioned authors;A Compendium of Craft Books, ...
Artist and Empire: Facing Britain’s Imperial Past is both a fascinating and frustrating compendium o...
Attfield\u27s wild things are the marginal things among the most trivial in our everyday life, to ...
Paula Chambers’ tenth solo show has been installed in the gallery on the first floor of the Batley L...
Review of FIELD: an exhibition of works by Ciara Phillips and Jane Topping at Satellite, Newcastle-U...
‘Could you stab the image of a loved one?’ This is one of six questions posed by Sophie Page and Mar...
The following publications have been reviewed by the authors;The Good Technology Guide 1994 - review...
Reclaiming Beauty is a title bringing together authors from architecture, political science, and the...
Review of The Picture Postcard: A New Window into Edwardian Ireland , by Ann Wilson (Oxford: Peter L...
Book reviews of the following academic titles: Poetic Artifice: A Theory of Twentieth-Century Poetry...
In Remote Avant-Garde: Aboriginal Art Under Occupation, Jennifer Loureide Biddle focuses on the emer...
Book review of Craft in the Laboratory: The Science of Making Things edited by Annie Carlano et al. ...
Book review by Rebecca Skeels. ‘Rarely does a good idea come from a digital tool. And most artis...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...