CINEMA IS ABOUT creating images in motion. It reflects the essential denotation of an image as an optical reproduction of an object, scene, movement, gesture. It's about visual representations of our perceptions and ourselves. It's a medium through which directors project their visions, actors reincarnate themselves in ever new impersonations, and viewers watch the screen images as reflections of mimetic (or fantastic) reality. So far, it has been technology's greatest gift to the human imagination, a remarkable mirror of life-like illusions. Filmmakers naturally exploit cinema's fundamental reproductive nature, its inherent double-ness, often deliberately exploring questions of identity and reliability of our perceptions and judgements to ...