Gordimer calls herself a natural writer and speaks about the influence that growing up in a South African mining town had on her writing. She responds to questions about voice, rhythm, audience, narrative techniques, and her composition process for the short story and the novel. Gordimer says that the short story taught her how important getting to the essence of things is to her writing. She also considers the effect of gender on her writing. The language of politics vs. the language of art is discussed as the distinction between nonfiction and fiction. The theme of betrayal in her latest collection is examined, as well as the political efficacy of literature to effect change in human rights issues, including apartheid. Gordimer call...
Thesis (Ph.D.)-University of Natal, Durban, 1997.The aim of this study is to suggest, by selective e...
This paper focuses on some of the key gestures which give Gordimer’s stories their disruptive power....
Nadine Gordimer’s July’s People (1981) foresees the inevitable collapse of White South Africa and th...
This volume collects three decades of interviews with Nadine Gordimer. In the interviews, she presen...
This paper purports to study and develop an aspect of Gordimer’s fiction which has often been overlo...
Nadine Gordimer, the first Nobel Prize winner of South Africa reflects in her fiction the heart rend...
It is believed that the concept of feminism oscillated from time to time, and place to place. Femini...
Novelist, playwright, short-story writer, polemicist and activist, Nadine Gordimer (1929), received ...
The article investigates the narrative modes and strategies through which the 'new' Gordimer of "Bee...
This article begins by scrutinizing divergent critical views of Gordimer’s subject position and auth...
Nadine Gordimer’s late short stories in Beethoven Was One-Sixteenth Black and Loot use a fragmentary...
Nadine Gordimer never gave up on the notion that new modes of justice for racial violence are linked...
A special issue reassessing the whole of Nadine Gordimer's prolific and versatile work, this collect...
Prior to 1990, Gordimer’s prominent anti-apartheid views – on the platform and in her fiction – earn...
Towards the end of her writing life, Nadine Gordimer’s style became increasingly marked by character...
Thesis (Ph.D.)-University of Natal, Durban, 1997.The aim of this study is to suggest, by selective e...
This paper focuses on some of the key gestures which give Gordimer’s stories their disruptive power....
Nadine Gordimer’s July’s People (1981) foresees the inevitable collapse of White South Africa and th...
This volume collects three decades of interviews with Nadine Gordimer. In the interviews, she presen...
This paper purports to study and develop an aspect of Gordimer’s fiction which has often been overlo...
Nadine Gordimer, the first Nobel Prize winner of South Africa reflects in her fiction the heart rend...
It is believed that the concept of feminism oscillated from time to time, and place to place. Femini...
Novelist, playwright, short-story writer, polemicist and activist, Nadine Gordimer (1929), received ...
The article investigates the narrative modes and strategies through which the 'new' Gordimer of "Bee...
This article begins by scrutinizing divergent critical views of Gordimer’s subject position and auth...
Nadine Gordimer’s late short stories in Beethoven Was One-Sixteenth Black and Loot use a fragmentary...
Nadine Gordimer never gave up on the notion that new modes of justice for racial violence are linked...
A special issue reassessing the whole of Nadine Gordimer's prolific and versatile work, this collect...
Prior to 1990, Gordimer’s prominent anti-apartheid views – on the platform and in her fiction – earn...
Towards the end of her writing life, Nadine Gordimer’s style became increasingly marked by character...
Thesis (Ph.D.)-University of Natal, Durban, 1997.The aim of this study is to suggest, by selective e...
This paper focuses on some of the key gestures which give Gordimer’s stories their disruptive power....
Nadine Gordimer’s July’s People (1981) foresees the inevitable collapse of White South Africa and th...