Novelist, playwright, short-story writer, polemicist and activist, Nadine Gordimer (1929), received the Nobel Prize for literature in 1991. She is an implacable opponent of apartheid, which she opposed through her imaginative writing as well as through essays and polemics. The end of apartheid was heralded by the release of Nelson Mandela in 1990, and officially ended with the first democratic elections that were held in April of 1994. Gordimer has produced fourteen novels to date: ten falling clearly within the apartheid period, and four novels that can be classified as falling within the postapartheid period. There is evidence of several general and interrelated shifts in her novels since the demise of apartheid. The previous emphasis on ...
The paper analyses the new perspectives in Nadine Gordimer’s writings, focusing on her post-Aparthei...
International audienceDespite Gordimer’s radical engagement with the politics of South Africa, her ...
The main aim of this article is to challenge interpretations of Gordimer’s short-story writing as id...
A special issue reassessing the whole of Nadine Gordimer's prolific and versatile work, this collect...
Nadine Gordimer’s most recent novel, The Pickup, is a novel that has its place in what Gordimer has ...
This volume collects three decades of interviews with Nadine Gordimer. In the interviews, she presen...
Nadine Gordimer, the Nobel prize winning South African author, deals with the complexities of “the O...
Prior to 1990, Gordimer’s prominent anti-apartheid views – on the platform and in her fiction – earn...
How does the South African writer Nadine Gordimer handle the post- apartheid period in her works? Th...
This article begins by scrutinizing divergent critical views of Gordimer’s subject position and auth...
This paper aims to explore the process of acculturation in the Nobel Laureate Nadine Gordimer’s nove...
Which changes has the official dismantling of apartheid brought in the novel writing of the two Sout...
Nadine Gordimer’s The Pickup (2001) – sometimes criticised for its unsatisfactory lack of resolution...
Die vorliegende Diplomarbeit untersucht und vergleicht Nadine Gordimers spätere Post-Apartheidromane...
This paper has probed into South Africa’s newly constructed identity subsequent to the dethronement ...
The paper analyses the new perspectives in Nadine Gordimer’s writings, focusing on her post-Aparthei...
International audienceDespite Gordimer’s radical engagement with the politics of South Africa, her ...
The main aim of this article is to challenge interpretations of Gordimer’s short-story writing as id...
A special issue reassessing the whole of Nadine Gordimer's prolific and versatile work, this collect...
Nadine Gordimer’s most recent novel, The Pickup, is a novel that has its place in what Gordimer has ...
This volume collects three decades of interviews with Nadine Gordimer. In the interviews, she presen...
Nadine Gordimer, the Nobel prize winning South African author, deals with the complexities of “the O...
Prior to 1990, Gordimer’s prominent anti-apartheid views – on the platform and in her fiction – earn...
How does the South African writer Nadine Gordimer handle the post- apartheid period in her works? Th...
This article begins by scrutinizing divergent critical views of Gordimer’s subject position and auth...
This paper aims to explore the process of acculturation in the Nobel Laureate Nadine Gordimer’s nove...
Which changes has the official dismantling of apartheid brought in the novel writing of the two Sout...
Nadine Gordimer’s The Pickup (2001) – sometimes criticised for its unsatisfactory lack of resolution...
Die vorliegende Diplomarbeit untersucht und vergleicht Nadine Gordimers spätere Post-Apartheidromane...
This paper has probed into South Africa’s newly constructed identity subsequent to the dethronement ...
The paper analyses the new perspectives in Nadine Gordimer’s writings, focusing on her post-Aparthei...
International audienceDespite Gordimer’s radical engagement with the politics of South Africa, her ...
The main aim of this article is to challenge interpretations of Gordimer’s short-story writing as id...