Memory traces feature in nearly every account of memory. They appear as birds in Plato\u27s aviaries and images in Locke\u27s storeroom of ideas, as well as grooves in phonographic records, pictures in a gallery, and textual and digital archives in the vast library of the mind. The persistence of such metaphors reveals our long-standing commitment to the existence of memory traces as well as a lack of clarity about their nature. What role do memory traces play in an account of memory? And why are memory traces so often portrayed as stored images of past experiences? In this dissertation, I develop an account of memory traces that answers these questions. I defend a Constructive Trace Theory of Memory (CTTM), according to which remembering i...