The author examines the religious significance of a recent and moderately successful British film which, while heavily reviewed in the international press and on the world wide web, has not generally been perceived by critics and audiences to comprise an overtly religious vision. Although in its first hour the film conforms to the somewhat ephemeral and fantasy-oriented structure of traditional Hollywood-style escapism, Little Voice is open to a fertile religious reading. The film abandons traditional Hollywood devices and bears witness to the Christian theme of redemption
The aim of this article is to examine the manner and extent to which the medium of film is capable o...
This article introduces a thematic issue of Religion that interrogates the religious use of fantasy ...
This is a book review of Terry Lindvall, J. Dennis Bounds and Chris Lindvall, Divine Film Comedies: ...
How plausible is it to examine the medium of film through a Christian lens? Are there any grounds fo...
Depending on to whom you listen, religion in America is either in big decline or is doing just fine....
In this article, I discuss the religious significance of two recent American films which raise perti...
An examination of Christian concepts in relation to secular pop stars though an analysis of the film...
In an article previously published in this journal, I argued that the moral universe of the Joel and...
This paper examines the ways that women seize power through rejection and subversion of religion by ...
For me as a teenager, secular films were merely a form of entertainment. A trip to the movies meant ...
This article explores the religious symbolism in the Dutch film Spetters (1980), by controversial di...
The Editor introduces the October 2001 issue of the Journal of Religion and Film
In a recent review of The Book of Eli (JRF 14:1), Adam Porter has claimed that the movie is an “affi...
This piece attempts to articulate a theological reading of the film Magnolia, directed by P.T. Ander...
To understand any aspect of being-in-the-world in general or cinematic experience in particular, bot...
The aim of this article is to examine the manner and extent to which the medium of film is capable o...
This article introduces a thematic issue of Religion that interrogates the religious use of fantasy ...
This is a book review of Terry Lindvall, J. Dennis Bounds and Chris Lindvall, Divine Film Comedies: ...
How plausible is it to examine the medium of film through a Christian lens? Are there any grounds fo...
Depending on to whom you listen, religion in America is either in big decline or is doing just fine....
In this article, I discuss the religious significance of two recent American films which raise perti...
An examination of Christian concepts in relation to secular pop stars though an analysis of the film...
In an article previously published in this journal, I argued that the moral universe of the Joel and...
This paper examines the ways that women seize power through rejection and subversion of religion by ...
For me as a teenager, secular films were merely a form of entertainment. A trip to the movies meant ...
This article explores the religious symbolism in the Dutch film Spetters (1980), by controversial di...
The Editor introduces the October 2001 issue of the Journal of Religion and Film
In a recent review of The Book of Eli (JRF 14:1), Adam Porter has claimed that the movie is an “affi...
This piece attempts to articulate a theological reading of the film Magnolia, directed by P.T. Ander...
To understand any aspect of being-in-the-world in general or cinematic experience in particular, bot...
The aim of this article is to examine the manner and extent to which the medium of film is capable o...
This article introduces a thematic issue of Religion that interrogates the religious use of fantasy ...
This is a book review of Terry Lindvall, J. Dennis Bounds and Chris Lindvall, Divine Film Comedies: ...