In a recent review of The Book of Eli (JRF 14:1), Adam Porter has claimed that the movie is an “affirm[ation] of God and an exploration of “the way religion can be used, both positively and negatively”. In our article, we will argue instead that the role of religion in the movie is much more ambiguous than this and that the movie not only fails to resolve the differences between putative ‘positive’ and ‘negative’ uses of religion, but, indeed, is also based on a highly problematic understanding of the role of religion and particularly religious texts within society
This paper examines Mystic River through the hermeneutic of visual story. When read as parable, the ...
Films about Jesus attempt to interpret the gospel in light of both cultural issues and the concerns ...
The article explores the relation between implicit biblical patterns existing in American popular cu...
The mediation of religious narratives through sacred texts is intimately bound to the power relation...
Depending on to whom you listen, religion in America is either in big decline or is doing just fine....
Amid the often complex and paradoxical relationship between Hollywood and American Christianity lies...
The War of the Worlds, which was scripted by Barré Lyndon and directed by Byron Haskin, reflects the...
How plausible is it to examine the medium of film through a Christian lens? Are there any grounds fo...
This journal adheres to the gold standard of open access publishing--website.When The Passion was re...
When The Passion was released, its extremely graphic violence horrified critics and scholars of reli...
This article is continued from Volume 11, Issue 1. The War of the Worlds, which was scripted by Bar...
Argues that the tendency of many critics of The Lord of the Rings to “[mine] it for Christian conten...
Abstract: Chronologically examining the role of faith based narratives in the Hollywood apocalypse s...
The book of Eli reflects how the people understand about religion. In the book of Eli, There are tw...
The author examines the religious significance of a recent and moderately successful British film wh...
This paper examines Mystic River through the hermeneutic of visual story. When read as parable, the ...
Films about Jesus attempt to interpret the gospel in light of both cultural issues and the concerns ...
The article explores the relation between implicit biblical patterns existing in American popular cu...
The mediation of religious narratives through sacred texts is intimately bound to the power relation...
Depending on to whom you listen, religion in America is either in big decline or is doing just fine....
Amid the often complex and paradoxical relationship between Hollywood and American Christianity lies...
The War of the Worlds, which was scripted by Barré Lyndon and directed by Byron Haskin, reflects the...
How plausible is it to examine the medium of film through a Christian lens? Are there any grounds fo...
This journal adheres to the gold standard of open access publishing--website.When The Passion was re...
When The Passion was released, its extremely graphic violence horrified critics and scholars of reli...
This article is continued from Volume 11, Issue 1. The War of the Worlds, which was scripted by Bar...
Argues that the tendency of many critics of The Lord of the Rings to “[mine] it for Christian conten...
Abstract: Chronologically examining the role of faith based narratives in the Hollywood apocalypse s...
The book of Eli reflects how the people understand about religion. In the book of Eli, There are tw...
The author examines the religious significance of a recent and moderately successful British film wh...
This paper examines Mystic River through the hermeneutic of visual story. When read as parable, the ...
Films about Jesus attempt to interpret the gospel in light of both cultural issues and the concerns ...
The article explores the relation between implicit biblical patterns existing in American popular cu...