Dakshinamuti is the patron of the South Indian brahmans, Vina-Dhara (the lyre-player) the patron of music and art. The sitting god rests his foot on the demon Muyulagathe vina is lost. The great mane of matted ascetic's hair is bound back. About original size. Musee Guimet. Paris. (Source: Goetz, H. India (5000 Years of Indian Art) Metheun, London, 1959. p. 178.
On two smaller flowers their children Ganesa (left) and Karttikeya (right) sit. Small bronze from Be...
The Linga has been a fetish in Indian religion since the Indus Valley Civilization was extant and ha...
The study is aimed at providing what a discriminating reader and visitor to Somanathapura would like...
A slender but powerful body and an elongated face characterize this image of Siva as belonging to No...
In general, the Chola style continued the Pallava and Eastern Chalukan [sic] tradition, which was a ...
One of the most popular aspects of the Great Lord Siva and his wife Parvati (also called Uma or by h...
This article brings out a set of images of Indian dynasties cālukya, pallava, rāstrakûta and cola. ...
We suggested above that Pala-Sena art underwent several changes during its transition from an imitat...
It has often been observed that Indian sculpture has the graceful character of the dance, and, indee...
10-armed image dances in Aindra posture, the right arm thrown staff-like (danda hasta) across the bo...
Here on a pillar in the temple at Madurai, is an image combining Vishnu and Siva, the two great gods...
There is some tendency in Pala sculpture, exaggerated in the following period of the Senas, [toward]...
The triune image is that of Siva manifest as quiddity (Tatpurusa), in the central face. Together wit...
Bronze statuette of the Hindu deity Siva, dancing.https://scholarworks.umt.edu/mansfieldartifacts/12...
Elephanta is an island in the Bay of Bombay and was a capital city at one time, conquered by both th...
On two smaller flowers their children Ganesa (left) and Karttikeya (right) sit. Small bronze from Be...
The Linga has been a fetish in Indian religion since the Indus Valley Civilization was extant and ha...
The study is aimed at providing what a discriminating reader and visitor to Somanathapura would like...
A slender but powerful body and an elongated face characterize this image of Siva as belonging to No...
In general, the Chola style continued the Pallava and Eastern Chalukan [sic] tradition, which was a ...
One of the most popular aspects of the Great Lord Siva and his wife Parvati (also called Uma or by h...
This article brings out a set of images of Indian dynasties cālukya, pallava, rāstrakûta and cola. ...
We suggested above that Pala-Sena art underwent several changes during its transition from an imitat...
It has often been observed that Indian sculpture has the graceful character of the dance, and, indee...
10-armed image dances in Aindra posture, the right arm thrown staff-like (danda hasta) across the bo...
Here on a pillar in the temple at Madurai, is an image combining Vishnu and Siva, the two great gods...
There is some tendency in Pala sculpture, exaggerated in the following period of the Senas, [toward]...
The triune image is that of Siva manifest as quiddity (Tatpurusa), in the central face. Together wit...
Bronze statuette of the Hindu deity Siva, dancing.https://scholarworks.umt.edu/mansfieldartifacts/12...
Elephanta is an island in the Bay of Bombay and was a capital city at one time, conquered by both th...
On two smaller flowers their children Ganesa (left) and Karttikeya (right) sit. Small bronze from Be...
The Linga has been a fetish in Indian religion since the Indus Valley Civilization was extant and ha...
The study is aimed at providing what a discriminating reader and visitor to Somanathapura would like...