The triune image is that of Siva manifest as quiddity (Tatpurusa), in the central face. Together with the crown, it is the pillar shape of the central Linga and body whence Siva is revealed as polarity, male, in his creative-destructive fury on the right, female on the left. The triune heads emerge from the central pillar and are carried on broad shoulders. The hand of Tatpurusa holds a citrus fruit and rosary. A Dvarapala or guardian of the Gat is carved on either side of the bay. -- 17ft. 10 ins. high
Dakshinamuti is the patron of the South Indian brahmans, Vina-Dhara (the lyre-player) the patron of ...
Within the square is the Siva linga, the symbol for Siva. On the wall at the back is a crude represe...
(Rowland, p. 188) The representation of Siva's Wedding is a timeless scene of bliss, its setting a d...
Here on a pillar in the temple at Madurai, is an image combining Vishnu and Siva, the two great gods...
Example of ornate type of portal now appearing, Projecting lintel-cornice overhangs the elaborate fr...
The 4-faced Linga is in the centre of the Garbhagriha. The significance of this symbol is the same a...
The central buttress has for its main image the 8-armed figure of Kapila, the author of the Sankhya ...
Shows him as though arrested in sudden ecstasy at the vision of Siva and his court. Figure is cast i...
Dedicated to Siva in 740, built by Vikramaditya II. Of typically Dravidian type, with a series of te...
10-armed image dances in Aindra posture, the right arm thrown staff-like (danda hasta) across the bo...
The Linga has been a fetish in Indian religion since the Indus Valley Civilization was extant and ha...
Elephanta is an island in the Bay of Bombay and was a capital city at one time, conquered by both th...
Along the river bank, to the left of our slide, is the detail beginning the story of the Mahabalipur...
Interior of the small Siva shrine near the Durga temple. The upright, rounded post is the Siva linga...
Vishnu holding the wheel and the conch in his two upper hands is shown as if rising from his throne ...
Dakshinamuti is the patron of the South Indian brahmans, Vina-Dhara (the lyre-player) the patron of ...
Within the square is the Siva linga, the symbol for Siva. On the wall at the back is a crude represe...
(Rowland, p. 188) The representation of Siva's Wedding is a timeless scene of bliss, its setting a d...
Here on a pillar in the temple at Madurai, is an image combining Vishnu and Siva, the two great gods...
Example of ornate type of portal now appearing, Projecting lintel-cornice overhangs the elaborate fr...
The 4-faced Linga is in the centre of the Garbhagriha. The significance of this symbol is the same a...
The central buttress has for its main image the 8-armed figure of Kapila, the author of the Sankhya ...
Shows him as though arrested in sudden ecstasy at the vision of Siva and his court. Figure is cast i...
Dedicated to Siva in 740, built by Vikramaditya II. Of typically Dravidian type, with a series of te...
10-armed image dances in Aindra posture, the right arm thrown staff-like (danda hasta) across the bo...
The Linga has been a fetish in Indian religion since the Indus Valley Civilization was extant and ha...
Elephanta is an island in the Bay of Bombay and was a capital city at one time, conquered by both th...
Along the river bank, to the left of our slide, is the detail beginning the story of the Mahabalipur...
Interior of the small Siva shrine near the Durga temple. The upright, rounded post is the Siva linga...
Vishnu holding the wheel and the conch in his two upper hands is shown as if rising from his throne ...
Dakshinamuti is the patron of the South Indian brahmans, Vina-Dhara (the lyre-player) the patron of ...
Within the square is the Siva linga, the symbol for Siva. On the wall at the back is a crude represe...
(Rowland, p. 188) The representation of Siva's Wedding is a timeless scene of bliss, its setting a d...