The illusion was first created and presented by John Henry Pepper and John Walker at the Royal Polytechnic Institute in London where it premiered under the title "Metempsychosis" in 1879. Shortly thereafter, Harry Kellar, renowned stage magician began using the technique in his "Blue Room", a stage illusion wherein audiences watched as Kellar slowly transformed himself into a skeleton or made a rose bush grow instantaneously from a seed right before their eyes. Kellar performed his Blue Room illusion throughout the last two decades of the nineteenth century, a time in which visual evidence's relationship to reality was being called into question.No embarg
© 2010 Gala HingstonThis thesis examines the history of magic in Western culture, particularly focus...
The research focuses on magic - the practice of performing tricks and illusions on stage aiming at e...
Website: http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=307142 Copyright: ...
The illusion was first created and presented by John Henry Pepper and John Walker at the Royal Poly...
Technologies of illusion are technologies used to evoke an emotional response in an audience by prod...
Magic is about deception, it is also about lying. As Eugene Burger states; Magic is an art form tha...
In the early twentieth Century, the debate about ghosts, in which sceptics and believers opposed one...
This thesis is concerned with the psychology of magic and illusion. In particular it is focused on t...
This article analyzes the late-nineteenth-century stage illusion “The Second Sight,” which seemingly...
The Magician's Apparatus is an essay for the exhibition catalogue of The Collector's Room Exhibition...
Wynants revisits the ghostly presence effects of phantasmagoria shows as historical precursors of im...
Artist Irene Brown reflects upon the conceptual and physical materials that constitute the artwork P...
How did he do that? This question has been on the lips of audience members since magicians first beg...
Cognitive scientists have paid very little attention to magic as a distinctly human activity capable...
By the late nineteenth and early twenty century both the United States and Europe were experiencing ...
© 2010 Gala HingstonThis thesis examines the history of magic in Western culture, particularly focus...
The research focuses on magic - the practice of performing tricks and illusions on stage aiming at e...
Website: http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=307142 Copyright: ...
The illusion was first created and presented by John Henry Pepper and John Walker at the Royal Poly...
Technologies of illusion are technologies used to evoke an emotional response in an audience by prod...
Magic is about deception, it is also about lying. As Eugene Burger states; Magic is an art form tha...
In the early twentieth Century, the debate about ghosts, in which sceptics and believers opposed one...
This thesis is concerned with the psychology of magic and illusion. In particular it is focused on t...
This article analyzes the late-nineteenth-century stage illusion “The Second Sight,” which seemingly...
The Magician's Apparatus is an essay for the exhibition catalogue of The Collector's Room Exhibition...
Wynants revisits the ghostly presence effects of phantasmagoria shows as historical precursors of im...
Artist Irene Brown reflects upon the conceptual and physical materials that constitute the artwork P...
How did he do that? This question has been on the lips of audience members since magicians first beg...
Cognitive scientists have paid very little attention to magic as a distinctly human activity capable...
By the late nineteenth and early twenty century both the United States and Europe were experiencing ...
© 2010 Gala HingstonThis thesis examines the history of magic in Western culture, particularly focus...
The research focuses on magic - the practice of performing tricks and illusions on stage aiming at e...
Website: http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=307142 Copyright: ...