Title: The King is dead, long live the Holy King! Interpretation of a romanesque figure frieze.The subject of this article is the figure frieze on the Romanesque font in Östra Hoby Church in Scania, Sweden, executed in the 1160s by a stone mason who had links with Lund Cathedral. The frieze has long been an art historical enigma, but it clearly depicts the legend of a saint. It consists of five scenes interpreted here as depicting the story of Canute the Holy, King of Denmark (Knut den helige), killed in Odense 1086 and canonized in 1099. This interpretation is based on the legends concerning King Canute and Danish chronicles from the 12th and 13th centuries. The most detailed version of the legend was written by the English monk Ælnoth abo...
Many authors have considered Lund cathedral, its mediaeval history and its sculptures, sometimes at ...
Priscorum quippe curialium, qui et nunc militari censentur nomine: Knights in Denmark in the 12th ce...
In the Hope of Eternal Life.The Baptismal Font as Performative ObjectBy Lars Berggren Seeing and per...
Title: The King is dead, long live the Holy King! Interpretation of a romanesque figure frieze.The s...
Romanesque Movements in Time and Place. Some examples from Churches on Gotland The reliefs on walls,...
Title: The Self-representation in Image and Word of two Late Gothic Artists in ScandinaviaThis artic...
Romanesque round church towers – a Skandinavian perspective By Jes Wienberg The aim of the article i...
Holiness and Power Game The Trouble with Canonization in Denmark after 1234 After Gregor IX in 1234 ...
This article investigates how Sverrir Sigurðarson, ruler of Norway between 1177 and 1202, is ideol...
Symbolic facial positionsBy Ulla Haastrup A value-laden symbolic imagery was used for at least 500 y...
A preaching scene in stoneLisbet Bolander A very rare motif in the Western European stone sculpture ...
Monks and Nuns on Danish Church Walls Some Reflections on the Carmelite Monks in Sæby Church By Kaar...
Church, Heritage and Conflict – Mårup on the cliff By Jes Wienberg The medieval church of Mårup in J...
Denne oppgaven har jeg skrevet for å se om symbolbruken en i tidsepokes religiøse litteratur kan gi ...
The royal crucifixes so characteristic of the 12th century only gradually gave way to the Gothic suf...
Many authors have considered Lund cathedral, its mediaeval history and its sculptures, sometimes at ...
Priscorum quippe curialium, qui et nunc militari censentur nomine: Knights in Denmark in the 12th ce...
In the Hope of Eternal Life.The Baptismal Font as Performative ObjectBy Lars Berggren Seeing and per...
Title: The King is dead, long live the Holy King! Interpretation of a romanesque figure frieze.The s...
Romanesque Movements in Time and Place. Some examples from Churches on Gotland The reliefs on walls,...
Title: The Self-representation in Image and Word of two Late Gothic Artists in ScandinaviaThis artic...
Romanesque round church towers – a Skandinavian perspective By Jes Wienberg The aim of the article i...
Holiness and Power Game The Trouble with Canonization in Denmark after 1234 After Gregor IX in 1234 ...
This article investigates how Sverrir Sigurðarson, ruler of Norway between 1177 and 1202, is ideol...
Symbolic facial positionsBy Ulla Haastrup A value-laden symbolic imagery was used for at least 500 y...
A preaching scene in stoneLisbet Bolander A very rare motif in the Western European stone sculpture ...
Monks and Nuns on Danish Church Walls Some Reflections on the Carmelite Monks in Sæby Church By Kaar...
Church, Heritage and Conflict – Mårup on the cliff By Jes Wienberg The medieval church of Mårup in J...
Denne oppgaven har jeg skrevet for å se om symbolbruken en i tidsepokes religiøse litteratur kan gi ...
The royal crucifixes so characteristic of the 12th century only gradually gave way to the Gothic suf...
Many authors have considered Lund cathedral, its mediaeval history and its sculptures, sometimes at ...
Priscorum quippe curialium, qui et nunc militari censentur nomine: Knights in Denmark in the 12th ce...
In the Hope of Eternal Life.The Baptismal Font as Performative ObjectBy Lars Berggren Seeing and per...