Once I got the opportunity to go to Zambia to conduct field research and stay with the Lala people for several months, I discovered much to my delight that the kalimba — the lamellophone found there — took an important place in the musical culture of the Lala. THe richness and variety of the music and the open-heartedness of the musicians turned out to be a revelation to me. Moreover, it became clear that through the kalimba other aspects of the Lala society could be exposed
During my stay with the Chokwe in 19561 swam in an atmosphere of music and dance, in the most varied...
In the 1965 issue of this Journal, I gave some details of the music and tuning of two Zambian kalumb...
The valimba xylophone of the Sena people of Malawi has been described by several writers, notably Ku...
The music quoted in this article was played to me by Leonard Kembe, who is one of the few educated Z...
The recordings on which this analysis is based, were made between July 24th and August 7th, 1961, in...
The kalimba described here is one used by the Lunda people in the North Western Province of Northern...
The lamellophone of the Makonde/Mwera type from south-eastern Tanzania and north-eastern Mozambique ...
The kalumbu or musical bow is probably found more often than any other indigenous instrument in Zamb...
In October, 1953, I sent to the British Museum parts of a tripartite musical apparatus used by the M...
Over a period of many years musicologists have interested themselves in the Akadinda and Amadinda te...
In the last issue of the Journal I gave some details of an eight-keyed Lunda Kalendi with the tuning...
This paper is an attempt to explicate the concept of "kuvunga," an important term to Zambian Luvale ...
This thesis interrogates Andrew Tracey’s career as an ethnomusicologist and the significance of his ...
When collecting traditional music among the Karanga tribes of Southern Rhodesia in 1961 /62,I record...
The author was fortunate enough to be able to spend some days among them in the company of Dr Jiro T...
During my stay with the Chokwe in 19561 swam in an atmosphere of music and dance, in the most varied...
In the 1965 issue of this Journal, I gave some details of the music and tuning of two Zambian kalumb...
The valimba xylophone of the Sena people of Malawi has been described by several writers, notably Ku...
The music quoted in this article was played to me by Leonard Kembe, who is one of the few educated Z...
The recordings on which this analysis is based, were made between July 24th and August 7th, 1961, in...
The kalimba described here is one used by the Lunda people in the North Western Province of Northern...
The lamellophone of the Makonde/Mwera type from south-eastern Tanzania and north-eastern Mozambique ...
The kalumbu or musical bow is probably found more often than any other indigenous instrument in Zamb...
In October, 1953, I sent to the British Museum parts of a tripartite musical apparatus used by the M...
Over a period of many years musicologists have interested themselves in the Akadinda and Amadinda te...
In the last issue of the Journal I gave some details of an eight-keyed Lunda Kalendi with the tuning...
This paper is an attempt to explicate the concept of "kuvunga," an important term to Zambian Luvale ...
This thesis interrogates Andrew Tracey’s career as an ethnomusicologist and the significance of his ...
When collecting traditional music among the Karanga tribes of Southern Rhodesia in 1961 /62,I record...
The author was fortunate enough to be able to spend some days among them in the company of Dr Jiro T...
During my stay with the Chokwe in 19561 swam in an atmosphere of music and dance, in the most varied...
In the 1965 issue of this Journal, I gave some details of the music and tuning of two Zambian kalumb...
The valimba xylophone of the Sena people of Malawi has been described by several writers, notably Ku...
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