When collecting traditional music among the Karanga tribes of Southern Rhodesia in 1961 /62,I recorded three versions of the song: Vana vapfumo jena. In 1964 I worked on a preliminary survey of the collected material under the guidance of Dr. Wachsman at Ucla, and I found that this specific piece was recorded by H. Tracey and published in the Sound of Africa Series (AMA TR-82 and 173). Through his kindness yet another version that he had recorded on wax-cylinders in 1929 became available. This study is a comparison of these six versions3. It may give some clues on the development and change within this musical culture
We recorded several pan-pipe ensembles (EnkwanyJ) formed by rather young people in all sorts of soci...
The author was fortunate enough to be able to spend some days among them in the company of Dr Jiro T...
My interest in Bantu songs was that of the singer. I wanted Bantu songs to sing and to teach others ...
The recordings on which this analysis is based, were made between July 24th and August 7th, 1961, in...
From 1979 to 1988 I conducted a number of church music composition workshops in Kavango, among the v...
“MAZUVA EKUPEDZISA” by Abraham Maraire. (Old Umtali, Rhodesia) During the year an innovation in reli...
Zumaile village lies south of Minga Mission in the District of Petauke, Eastern Province of Zambia, ...
How to measure musical appreciation has never been adequately solved. One can only hope to make rath...
This article examines the utility and significance of music performed on 19th- century caravans jour...
East and Southern African music has been strikingly similar since time immemorial. The music industr...
The three categories of Venda music discussed here are tshikona (the bamboo pipe dance), beer songs ...
I visited many parts of Uganda, with the exception of West Nile, and almost everywhere I was struck ...
Bakalanga of Botswana and Zimbabwe are one people who share the same musical traditions. They were s...
In October, 1953, I sent to the British Museum parts of a tripartite musical apparatus used by the M...
During my stay with the Chokwe in 19561 swam in an atmosphere of music and dance, in the most varied...
We recorded several pan-pipe ensembles (EnkwanyJ) formed by rather young people in all sorts of soci...
The author was fortunate enough to be able to spend some days among them in the company of Dr Jiro T...
My interest in Bantu songs was that of the singer. I wanted Bantu songs to sing and to teach others ...
The recordings on which this analysis is based, were made between July 24th and August 7th, 1961, in...
From 1979 to 1988 I conducted a number of church music composition workshops in Kavango, among the v...
“MAZUVA EKUPEDZISA” by Abraham Maraire. (Old Umtali, Rhodesia) During the year an innovation in reli...
Zumaile village lies south of Minga Mission in the District of Petauke, Eastern Province of Zambia, ...
How to measure musical appreciation has never been adequately solved. One can only hope to make rath...
This article examines the utility and significance of music performed on 19th- century caravans jour...
East and Southern African music has been strikingly similar since time immemorial. The music industr...
The three categories of Venda music discussed here are tshikona (the bamboo pipe dance), beer songs ...
I visited many parts of Uganda, with the exception of West Nile, and almost everywhere I was struck ...
Bakalanga of Botswana and Zimbabwe are one people who share the same musical traditions. They were s...
In October, 1953, I sent to the British Museum parts of a tripartite musical apparatus used by the M...
During my stay with the Chokwe in 19561 swam in an atmosphere of music and dance, in the most varied...
We recorded several pan-pipe ensembles (EnkwanyJ) formed by rather young people in all sorts of soci...
The author was fortunate enough to be able to spend some days among them in the company of Dr Jiro T...
My interest in Bantu songs was that of the singer. I wanted Bantu songs to sing and to teach others ...