Two Norwich inns, the Red Lion and the White Horse, are known to have been used by patronised performers between 1583 and 1624. The non-theatrical documentary and material records presented here elucidate the inns’ locations, functions, and dimensions; ownership, status in the community, and relationship to the city government; popularity as performance venues; and fates in later centuries. At their heights, the inns were respectable, lucrative, reliable venues, well managed, well appointed, and individually stable for decades. They represent what was likely a thriving and long-lasting entertainment industry, supported by city government but operating outside official civic auspice
This is a regional study, providing a detailed examination of the inns and taverns situated in the w...
Inhabitants of Great Britain have been brewing and drinking ale since the Bronze Ages. The province ...
This study examines the influences of fairground entertainments on the evolution of the theatrical e...
Two Norwich inns, the Red Lion and the White Horse, are known to have been used by patronised perfor...
Two Norwich inns, the Red Lion and the White Horse, are known to have been used by patronised perfor...
Examining the businesses of a number of inns in Leeds and York, this study explores the role played ...
In early America, as travel among towns became more prevalent, taverns were a necessity. As early as...
Most research into Lincolnshire dramatic records has focused on religious drama in the city of Linco...
This thesis is an analysis of the responses in the early modem period of civic and church authoritie...
The importance of Norwich as the second city of England for 500 years is explored in this volume in ...
Minstrels, morris dancers, and players participated in the lively social intercourse of Cornwall in ...
For a thousand years after the departure of the Romans in the fifth-century CE no theatres were buil...
The spread of the plague in Norwich in July 1603 disrupted the city’s celebrations of the coronation...
Available for non-commercial, internal use by students, staff, and faculty at the University of Mich...
The spread of the plague in Norwich in July 1603 disrupted the city’s celebrations of the coronation...
This is a regional study, providing a detailed examination of the inns and taverns situated in the w...
Inhabitants of Great Britain have been brewing and drinking ale since the Bronze Ages. The province ...
This study examines the influences of fairground entertainments on the evolution of the theatrical e...
Two Norwich inns, the Red Lion and the White Horse, are known to have been used by patronised perfor...
Two Norwich inns, the Red Lion and the White Horse, are known to have been used by patronised perfor...
Examining the businesses of a number of inns in Leeds and York, this study explores the role played ...
In early America, as travel among towns became more prevalent, taverns were a necessity. As early as...
Most research into Lincolnshire dramatic records has focused on religious drama in the city of Linco...
This thesis is an analysis of the responses in the early modem period of civic and church authoritie...
The importance of Norwich as the second city of England for 500 years is explored in this volume in ...
Minstrels, morris dancers, and players participated in the lively social intercourse of Cornwall in ...
For a thousand years after the departure of the Romans in the fifth-century CE no theatres were buil...
The spread of the plague in Norwich in July 1603 disrupted the city’s celebrations of the coronation...
Available for non-commercial, internal use by students, staff, and faculty at the University of Mich...
The spread of the plague in Norwich in July 1603 disrupted the city’s celebrations of the coronation...
This is a regional study, providing a detailed examination of the inns and taverns situated in the w...
Inhabitants of Great Britain have been brewing and drinking ale since the Bronze Ages. The province ...
This study examines the influences of fairground entertainments on the evolution of the theatrical e...