DOIAbstract
Euripides’ fr. 777a Kannicht, from Phaethon, should be placed at the end of tragedy: probably these lines are said by Zeus against the god Helios, who gave his chariot to his son Phaethon and therefore is responsible for his fall and death
Euripides’ fr. 777a Kannicht, from Phaethon, should be placed at the end of tragedy: probably these lines are said by Zeus against the god Helios, who gave his chariot to his son Phaethon and therefore is responsible for his fall and death
This paper analyzes Euripides’s Iphigenia in Aulis from a perspective that highlights the relationsh...
In Theocritus’ seventh idyll, Lycidas is a divine figure, possibly Dionysus. This would imply an all...
Fr. 129 K.-A. of Antiphanes probably belongs to the same episode of frs. 130 (at line 7 read ψῆττα σ...
The theme of Zeus’ erotic weakness in Greek literature from the archaic period down to Euripidean tr...
This paper will show the peculiarity of Euripides’ tragedy Antiope, in particular with reference to ...
In the tragedy with his name Archelaos is presented as the hero who killed the Thracian king Cisseus...
In ORF4 71 fr. 1 (p. 270 f. Malcovati), the orator was probably alluding to the Euripidean Hecabe (l...
The first episode of the Hypsipyle begins with the arrival of Amphiaraus, one of the Seven, who has ...
Euph. fr. 75 Powell probably comes from a narrative passage about Hylas appearing to Heracles in a d...
In this passage, Aristophanes exploits the Greek metaphor of ‘treating someone as a package’ (i.e. c...
Remarks on the condition of the heroine in Euripides’ play: in particular on the Prologue, and on th...
Il personaggio di Filottete è noto come emblema di sofferenza; è abbandonato infatti dai Greci in vi...
This fragment should precede fr. 665a, and probably belongs to the dialogue between Bellerophon and ...
A close investigation into the treatment of Hippolytos’ tragic end in Euripides, Ovid, and Seneca pr...
The Prometheus Bound ascribed to Aeschylus reflects the traumatic transition from the ancient world ...
This paper analyzes Euripides’s Iphigenia in Aulis from a perspective that highlights the relationsh...
In Theocritus’ seventh idyll, Lycidas is a divine figure, possibly Dionysus. This would imply an all...
Fr. 129 K.-A. of Antiphanes probably belongs to the same episode of frs. 130 (at line 7 read ψῆττα σ...
The theme of Zeus’ erotic weakness in Greek literature from the archaic period down to Euripidean tr...
This paper will show the peculiarity of Euripides’ tragedy Antiope, in particular with reference to ...
In the tragedy with his name Archelaos is presented as the hero who killed the Thracian king Cisseus...
In ORF4 71 fr. 1 (p. 270 f. Malcovati), the orator was probably alluding to the Euripidean Hecabe (l...
The first episode of the Hypsipyle begins with the arrival of Amphiaraus, one of the Seven, who has ...
Euph. fr. 75 Powell probably comes from a narrative passage about Hylas appearing to Heracles in a d...
In this passage, Aristophanes exploits the Greek metaphor of ‘treating someone as a package’ (i.e. c...
Remarks on the condition of the heroine in Euripides’ play: in particular on the Prologue, and on th...
Il personaggio di Filottete è noto come emblema di sofferenza; è abbandonato infatti dai Greci in vi...
This fragment should precede fr. 665a, and probably belongs to the dialogue between Bellerophon and ...
A close investigation into the treatment of Hippolytos’ tragic end in Euripides, Ovid, and Seneca pr...
The Prometheus Bound ascribed to Aeschylus reflects the traumatic transition from the ancient world ...
This paper analyzes Euripides’s Iphigenia in Aulis from a perspective that highlights the relationsh...
In Theocritus’ seventh idyll, Lycidas is a divine figure, possibly Dionysus. This would imply an all...
Fr. 129 K.-A. of Antiphanes probably belongs to the same episode of frs. 130 (at line 7 read ψῆττα σ...
Add to ORKG