Fr. 129 K.-A. of Antiphanes probably belongs to the same episode of frs. 130 (at line 7 read ψῆττα σκόμβρος or ψῆττα σκορπίος) and 131, focused on Polyphemus and Odysseus, in the light of both Euripides’ Cyclops and Philox. PMG 818
Al centro del prologo delle Mythologiae, incastonata in una sapiente architettura che si potrebbe de...
In Theocritus’ seventh idyll, Lycidas is a divine figure, possibly Dionysus. This would imply an all...
International audienceIn Foscolo poesia e filosofia, a prima vista, si contraddicono: la prima è inf...
This paper will show the peculiarity of Euripides’ tragedy Antiope, in particular with reference to ...
On the basis of the analysis of Aristophanes, Clouds 53-55, Ecclesiazusae 877-883, and Plato Comicus...
In order to bring Aristophanes to justice after the staging of the Babylonians, Cleon might have app...
Viene discussa l´ autenticita´ dei primi 2 vv. delle Phoen. di Eur. e del v. 1 della El. di Soph. in...
In the 12th century, Theodoros Prodromos appears to know Euripides’ alphabetical plays, as Tzetzes a...
Euripides’ fr. 777a Kannicht, from Phaethon, should be placed at the end of tragedy: probably these ...
Euph. fr. 75 Powell probably comes from a narrative passage about Hylas appearing to Heracles in a d...
Sulla base di una puntuale analisi dei vv. 1009-1135 delle Tesmoforiazuse, in cui viene parodiata l’...
The value of quotations in ps.-Antigonus’ Excerpta de rebus mirabilibus for the textual criticism of...
The lyric section of the parodos of Aristophanes’ Plutus, traditionally explained as a parody of Phi...
The first episode of the Hypsipyle begins with the arrival of Amphiaraus, one of the Seven, who has ...
In his comedies, Aristophanes attacks Hyperbolus some fifteen times; Plato the comic poet wrote an e...
Al centro del prologo delle Mythologiae, incastonata in una sapiente architettura che si potrebbe de...
In Theocritus’ seventh idyll, Lycidas is a divine figure, possibly Dionysus. This would imply an all...
International audienceIn Foscolo poesia e filosofia, a prima vista, si contraddicono: la prima è inf...
This paper will show the peculiarity of Euripides’ tragedy Antiope, in particular with reference to ...
On the basis of the analysis of Aristophanes, Clouds 53-55, Ecclesiazusae 877-883, and Plato Comicus...
In order to bring Aristophanes to justice after the staging of the Babylonians, Cleon might have app...
Viene discussa l´ autenticita´ dei primi 2 vv. delle Phoen. di Eur. e del v. 1 della El. di Soph. in...
In the 12th century, Theodoros Prodromos appears to know Euripides’ alphabetical plays, as Tzetzes a...
Euripides’ fr. 777a Kannicht, from Phaethon, should be placed at the end of tragedy: probably these ...
Euph. fr. 75 Powell probably comes from a narrative passage about Hylas appearing to Heracles in a d...
Sulla base di una puntuale analisi dei vv. 1009-1135 delle Tesmoforiazuse, in cui viene parodiata l’...
The value of quotations in ps.-Antigonus’ Excerpta de rebus mirabilibus for the textual criticism of...
The lyric section of the parodos of Aristophanes’ Plutus, traditionally explained as a parody of Phi...
The first episode of the Hypsipyle begins with the arrival of Amphiaraus, one of the Seven, who has ...
In his comedies, Aristophanes attacks Hyperbolus some fifteen times; Plato the comic poet wrote an e...
Al centro del prologo delle Mythologiae, incastonata in una sapiente architettura che si potrebbe de...
In Theocritus’ seventh idyll, Lycidas is a divine figure, possibly Dionysus. This would imply an all...
International audienceIn Foscolo poesia e filosofia, a prima vista, si contraddicono: la prima è inf...