Tadeusz Pawlikowski was arguably Poland’s greatest theatre director of the fin de siècle. With stints as Theatre Manager in both Kraków and Lwów municipal theatres, Pawlikowski excelled in developing ensemble casts and cultivating audiences without kowtowing to popular tastes. He was also responsible for bringing many western plays to partitioned Poland, and indeed he oversaw theatrical premieres of Oscar Wilde, George Bernard Shaw and John Millington Synge. This paper will look at the production and reception of these plays and will record how there was a growing conviction amongst Polish critics that Irish dramatists would soon make a towering impact on the age. That said, not all the productions were as successful as perhaps they should ...
This article confronts the text of A Literary Prize, a comedy by Maria Pawlikowska-Jasnorzewska, wit...
During the Great War, theatre became an effective channel of communication and a means of encouragem...
Le sujet posé a pour but d’identifier le théâtre importé de Pologne et de déchiffrer le rôle qu’il j...
Ten years after Poland has joined the European Union and thousands of Poles arrived in Ireland, has ...
Recent reassessments have done much to show that Casimir Markievicz’s cultural activism in Ireland m...
John. A. Merchant examines the impact of a contemporary cultural movement, Irish Ireland, on its Pol...
This article is a review of Dariusz Kosiński’s Performing Poland: Rethinking Histories and Theatres ...
Grzegorz Wiśniewski’s 2012 Richard III in Teatr Jaracza in Łódź was a very successful production wit...
During the Great War, theatre became an effective channel of communication and a means of encouragem...
Grzegorz Wiśniewski’s 2012 Richard III in Teatr Jaracza in Łódź was a very successful production wit...
The article traces the history of the Polish premiere and an early reception of J.M. Synge’s The Pl...
This paper focuses on the relative absence of contemporary Polish plays in translation in Britain de...
The problems Young Poland experienced in understanding the work of John Millington Synge were inform...
The article traces the history of the Polish premiere and an early reception of J.M. Synge’s The Pla...
Emerging from the atrocities of war, and still hoping to avert the results of the Yalta conference d...
This article confronts the text of A Literary Prize, a comedy by Maria Pawlikowska-Jasnorzewska, wit...
During the Great War, theatre became an effective channel of communication and a means of encouragem...
Le sujet posé a pour but d’identifier le théâtre importé de Pologne et de déchiffrer le rôle qu’il j...
Ten years after Poland has joined the European Union and thousands of Poles arrived in Ireland, has ...
Recent reassessments have done much to show that Casimir Markievicz’s cultural activism in Ireland m...
John. A. Merchant examines the impact of a contemporary cultural movement, Irish Ireland, on its Pol...
This article is a review of Dariusz Kosiński’s Performing Poland: Rethinking Histories and Theatres ...
Grzegorz Wiśniewski’s 2012 Richard III in Teatr Jaracza in Łódź was a very successful production wit...
During the Great War, theatre became an effective channel of communication and a means of encouragem...
Grzegorz Wiśniewski’s 2012 Richard III in Teatr Jaracza in Łódź was a very successful production wit...
The article traces the history of the Polish premiere and an early reception of J.M. Synge’s The Pl...
This paper focuses on the relative absence of contemporary Polish plays in translation in Britain de...
The problems Young Poland experienced in understanding the work of John Millington Synge were inform...
The article traces the history of the Polish premiere and an early reception of J.M. Synge’s The Pla...
Emerging from the atrocities of war, and still hoping to avert the results of the Yalta conference d...
This article confronts the text of A Literary Prize, a comedy by Maria Pawlikowska-Jasnorzewska, wit...
During the Great War, theatre became an effective channel of communication and a means of encouragem...
Le sujet posé a pour but d’identifier le théâtre importé de Pologne et de déchiffrer le rôle qu’il j...