Ten years after Poland has joined the European Union and thousands of Poles arrived in Ireland, has Polish theatre arrived on the Irish stage? The fate of Polish theatre in Ireland has been varied, from Natalia Korczakowska’s 'The Leash' performed and awarded at the 2007 Dublin Fringe Festival, Krystian Lupa’s Factory 2 (Dublin Theatre Festival 2010) described by Sara Keating as “deliberately indulgent and maddening performance” that was simply boring, to Polish Theatre Ireland’s 'Bubble Revolution' (2013) praised for performance and critiqued for lack of clarity. This essay seeks to document the last decade and investigates the reception of professional Polish productions created both in Poland and Ireland and presented in Ireland between ...
With the fall of the Berlin Wall in 1989, Polish playwrights were released from the stranglehold of ...
What is referred to and analyzed in the presented article are the jubilee repertoire selections of...
This article presents 3 performances based on Shakespeare's play: A Midsummer Night's Dream made for...
Tadeusz Pawlikowski was arguably Poland’s greatest theatre director of the fin de siècle. With stint...
This is a summarised version of a longer presented at the Brexit Stage Left Conference, for the conf...
Recent reassessments have done much to show that Casimir Markievicz’s cultural activism in Ireland m...
This article is a review of Dariusz Kosiński’s Performing Poland: Rethinking Histories and Theatres ...
This paper focuses on the relative absence of contemporary Polish plays in translation in Britain de...
<p class="p1">The following interviews with practitioners of Polish-Irish intercultural relations gi...
John. A. Merchant examines the impact of a contemporary cultural movement, Irish Ireland, on its Pol...
Theatre is one of Poland’s strongest artistic fortes and has gained a high level of recognition abro...
This article engages with selected translation strategies undertaken to transfer a Polish play by Ju...
The problems Young Poland experienced in understanding the work of John Millington Synge were inform...
In this paper I address the idea of a changing cultural identity among the Polish communities in Ire...
While recent waves of political migration are hardly visible in Poland, the ongoing “migration crisi...
With the fall of the Berlin Wall in 1989, Polish playwrights were released from the stranglehold of ...
What is referred to and analyzed in the presented article are the jubilee repertoire selections of...
This article presents 3 performances based on Shakespeare's play: A Midsummer Night's Dream made for...
Tadeusz Pawlikowski was arguably Poland’s greatest theatre director of the fin de siècle. With stint...
This is a summarised version of a longer presented at the Brexit Stage Left Conference, for the conf...
Recent reassessments have done much to show that Casimir Markievicz’s cultural activism in Ireland m...
This article is a review of Dariusz Kosiński’s Performing Poland: Rethinking Histories and Theatres ...
This paper focuses on the relative absence of contemporary Polish plays in translation in Britain de...
<p class="p1">The following interviews with practitioners of Polish-Irish intercultural relations gi...
John. A. Merchant examines the impact of a contemporary cultural movement, Irish Ireland, on its Pol...
Theatre is one of Poland’s strongest artistic fortes and has gained a high level of recognition abro...
This article engages with selected translation strategies undertaken to transfer a Polish play by Ju...
The problems Young Poland experienced in understanding the work of John Millington Synge were inform...
In this paper I address the idea of a changing cultural identity among the Polish communities in Ire...
While recent waves of political migration are hardly visible in Poland, the ongoing “migration crisi...
With the fall of the Berlin Wall in 1989, Polish playwrights were released from the stranglehold of ...
What is referred to and analyzed in the presented article are the jubilee repertoire selections of...
This article presents 3 performances based on Shakespeare's play: A Midsummer Night's Dream made for...