The article focuses on questions of form and style in the essays of Peter Szondi and Jean Bollack. Style in literary criticism reveals itself as a methodological mode for rendering the individuality of literary texts. This argument takes into account the relationship of analysis and persona of the critic, as well as the notions of clarity and darkness in writing about literature, with Szondi and Bollack representing two distinct poles on the scale between clarity and darkness. As it turns out, obscuritas can be a means of being precise, clarity a means of engaging the reader in providing for more precision
German academic writing most commonly ignores not only the reader but also the author, which leads t...
Peter Szondi is considered to be one of the most influential scholars connected to the modernization...
Rezension zu Peter Schnyder: Alea. Zählen und Erzählen im Zeichen des Glücksspiels 1650-1850. Göttin...
International audienceJean Bollack’s philologische Wissenschaft aims to reach the “good lesson” of a...
Starting from an allegory in Jean Leclerc's Ars critica (1697), the article investigates in which wa...
Der vorliegende Beitrag versucht, das intellektuelle Gespräch zwischen Paul Celan und Peter Szondi v...
Was Szondis Überlegungen zur kritischen Entscheidung in der Lektüre verdeutlichen, ist die Spezifik ...
In recent years, a pronounced methodological self-reflexiveness has been established as a standard i...
Kauffmann K. Ein nützlicher Kaufmann: Zu J. J. Bodmers Praktiken des europäischen Literaturvergleich...
Dieser Beitrag ist mit Zustimmung des Rechteinhabers (De Gruyter) frei zugänglich.This article explo...
This paper examines the well-known practice of developing a conceptual frame-work for reading works ...
In this article, the author aims to show the role of Boccaccio’s Decameron as an exemplary model of ...
The article reconstructs Levin Ludwig Schücking’s History of Taste as a method of writing literary h...
The article focuses on East German author Stephan Hermlin, his short story „Corneliusbrüc...
Nils Bocks Dissertation "Die Herolde im römisch-deutschen Reich" (erschienen 2015) kann bereits jetz...
German academic writing most commonly ignores not only the reader but also the author, which leads t...
Peter Szondi is considered to be one of the most influential scholars connected to the modernization...
Rezension zu Peter Schnyder: Alea. Zählen und Erzählen im Zeichen des Glücksspiels 1650-1850. Göttin...
International audienceJean Bollack’s philologische Wissenschaft aims to reach the “good lesson” of a...
Starting from an allegory in Jean Leclerc's Ars critica (1697), the article investigates in which wa...
Der vorliegende Beitrag versucht, das intellektuelle Gespräch zwischen Paul Celan und Peter Szondi v...
Was Szondis Überlegungen zur kritischen Entscheidung in der Lektüre verdeutlichen, ist die Spezifik ...
In recent years, a pronounced methodological self-reflexiveness has been established as a standard i...
Kauffmann K. Ein nützlicher Kaufmann: Zu J. J. Bodmers Praktiken des europäischen Literaturvergleich...
Dieser Beitrag ist mit Zustimmung des Rechteinhabers (De Gruyter) frei zugänglich.This article explo...
This paper examines the well-known practice of developing a conceptual frame-work for reading works ...
In this article, the author aims to show the role of Boccaccio’s Decameron as an exemplary model of ...
The article reconstructs Levin Ludwig Schücking’s History of Taste as a method of writing literary h...
The article focuses on East German author Stephan Hermlin, his short story „Corneliusbrüc...
Nils Bocks Dissertation "Die Herolde im römisch-deutschen Reich" (erschienen 2015) kann bereits jetz...
German academic writing most commonly ignores not only the reader but also the author, which leads t...
Peter Szondi is considered to be one of the most influential scholars connected to the modernization...
Rezension zu Peter Schnyder: Alea. Zählen und Erzählen im Zeichen des Glücksspiels 1650-1850. Göttin...