Add to ORKGA review of the Hannah Hoch retrospective exhibition at the Whitechapel Gallery, London 2014. Best known for her association with the Dada movement, this exhibition offers a wider reading of her work through feminism, sexism and process. The review included two illustrations: Hannah Hoch, Ohne Titel, 1930 Museum fur Kunst und Gewerbe, Hamburg Photo: courtesy of Maria Thrun Hannah Hoch, Ohne Titel, 1929 Federal Republic of Germany - Collection of Contemporary Art Image: bpk / Kupferstichkabinett, SMB / Jorg P. Ander
International audienceAusgangspunkt dieser Reflexion ist die berühmte Collage bzw. Fotomontage von H...
Review of the exhibition 'Nach Spandau' (To Spandau) on show at Hollybush Gardens in London (14 Octo...
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Hannah Höch is one of the most fascinating figures of Weimar Berlin, not only as an avant-garde arti...
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Between the years 1924-1934, Berlin dada artist Hannah Höch (1889-1978) created the collage series F...
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[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
International audienceAusgangspunkt dieser Reflexion ist die berühmte Collage bzw. Fotomontage von H...
Review of the exhibition 'Nach Spandau' (To Spandau) on show at Hollybush Gardens in London (14 Octo...
A review of 'Modern Women and Parisian Consumer Culture in Impressionist Painting' by Ruth E. Iskin ...
Hannah Höch is one of the most fascinating figures of Weimar Berlin, not only as an avant-garde arti...
Hannah Hoch, a Berlin Dadaist who produced art from 1919 to the late 1960s, often showed women in st...
This is the review of the catalogue published by Hirmer Verlag accompanying the 2018 exhibition Hell...
Between the years 1924-1934, Berlin dada artist Hannah Höch (1889-1978) created the collage series F...
This book review discusses the lavishly illustrated catalogue raisonné of the work of Mary Warburg, ...
The author starts her review by recalling Jūratė Stauskaitė‘s exhibition given ten years ago and cen...
In post-World War II Germany, the city of Berlin was left in ruin after six years of war. A nation r...
Mary Pepchinski widmet ihre Untersuchung temporären Ausstellungen, die im Zeitraum von 1865 bis 1912...
Solo exhibition. Museum Haus Konstruktiv, Zürich, Switzerland curated by Sabine Schaschl. The exhibi...
Ethnological museums are not only where objects from primitive societies are exhibited, but also cre...
Review of: Sabine Wieber, Jugendstil Women and the Making of Modern Design (London: Bloomsbury, 2022...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
International audienceAusgangspunkt dieser Reflexion ist die berühmte Collage bzw. Fotomontage von H...
Review of the exhibition 'Nach Spandau' (To Spandau) on show at Hollybush Gardens in London (14 Octo...
A review of 'Modern Women and Parisian Consumer Culture in Impressionist Painting' by Ruth E. Iskin ...