Hannah Höch is one of the most fascinating figures of Weimar Berlin, not only as an avant-garde artist, but also as a reflection of social and cultural changes. She embodied the 'New Woman' – the idea of the modern, rational and emancipated female, that enjoyed great popularity in Germany after 1918 – while at the same time criticizing this new image of femininity in her work. This exhibition at London's Whitechapel Gallery, the first major show of her work in the UK, is a good opportunity to..
In post-World War II Germany, the city of Berlin was left in ruin after six years of war. A nation r...
UnrestrictedCigarette smoking, fashionable, working, and sexually active -- these are just a few of ...
As an artist my collaborative work with Marysia Lewandowska has moved away from the production of ob...
A review of the Hannah Hoch retrospective exhibition at the Whitechapel Gallery, London 2014. Best ...
Between the years 1924-1934, Berlin dada artist Hannah Höch (1889-1978) created the collage series F...
CUTTING WITH DADA KITCHEN KNIFE THE LAST WEIMAR AND THE CULTURAL ERA IN GERMANY FATTENED WITH BEER I...
Hannah Gluckstein (who called herself Gluck; 1895–1976) was a distinctive, original voice in the ear...
Review of Hoch's show at the Whitechapel Gallery, analysing her shift frim communist inflected icono...
Unlike many of its comparator institutions, for example the Museum of Modern Art in New York and the...
Hannah Höch incorporated the image of a beetle into several of her photomontages. By analyzing three...
Group exhibition Liberties presents a snapshot of the evolving conversations that have contributed t...
International audienceAusgangspunkt dieser Reflexion ist die berühmte Collage bzw. Fotomontage von H...
Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of w...
Jugendstil, that is Germany's distinct engagement with the international Art Nouveau movement, is no...
This work examines the complex relationship between gender and the work of women artists associated ...
In post-World War II Germany, the city of Berlin was left in ruin after six years of war. A nation r...
UnrestrictedCigarette smoking, fashionable, working, and sexually active -- these are just a few of ...
As an artist my collaborative work with Marysia Lewandowska has moved away from the production of ob...
A review of the Hannah Hoch retrospective exhibition at the Whitechapel Gallery, London 2014. Best ...
Between the years 1924-1934, Berlin dada artist Hannah Höch (1889-1978) created the collage series F...
CUTTING WITH DADA KITCHEN KNIFE THE LAST WEIMAR AND THE CULTURAL ERA IN GERMANY FATTENED WITH BEER I...
Hannah Gluckstein (who called herself Gluck; 1895–1976) was a distinctive, original voice in the ear...
Review of Hoch's show at the Whitechapel Gallery, analysing her shift frim communist inflected icono...
Unlike many of its comparator institutions, for example the Museum of Modern Art in New York and the...
Hannah Höch incorporated the image of a beetle into several of her photomontages. By analyzing three...
Group exhibition Liberties presents a snapshot of the evolving conversations that have contributed t...
International audienceAusgangspunkt dieser Reflexion ist die berühmte Collage bzw. Fotomontage von H...
Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of w...
Jugendstil, that is Germany's distinct engagement with the international Art Nouveau movement, is no...
This work examines the complex relationship between gender and the work of women artists associated ...
In post-World War II Germany, the city of Berlin was left in ruin after six years of war. A nation r...
UnrestrictedCigarette smoking, fashionable, working, and sexually active -- these are just a few of ...
As an artist my collaborative work with Marysia Lewandowska has moved away from the production of ob...