In Solaris, within the limits of heterotopic experience, several theoretical and ontological questions are examined through approaches on each character. Berton declares one of the main philosophical themes of the movie when he tells Kelvin: "You want to destroy that which we are presently incapable of understanding? Forgive me, but I am not an advocate of knowledge at any price. Knowledge is only valid when it's based on morality." The ocean does not mean anything as an object, it simply exists. The ocean is not found in any of the human experimental approaches. DOI: 10.13140/RG.2.2.15910.6816
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
The main psychological and philosophical aspects detached from the film Solaris directed by Andrei T...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
About the main psychological and philosophical aspects detached from the film Solaris directed by An...
About the main psychological and philosophical aspects detached from the film Solaris directed by An...
About the main psychological and philosophical aspects detached from the film Solaris directed by An...
About the main psychological and philosophical aspects detached from the film Solaris directed by An...
Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris s...
Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris s...
Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris s...
Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris s...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
The main psychological and philosophical aspects detached from the film Solaris directed by Andrei T...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
About the main psychological and philosophical aspects detached from the film Solaris directed by An...
About the main psychological and philosophical aspects detached from the film Solaris directed by An...
About the main psychological and philosophical aspects detached from the film Solaris directed by An...
About the main psychological and philosophical aspects detached from the film Solaris directed by An...
Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris s...
Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris s...
Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris s...
Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris s...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
The main psychological and philosophical aspects detached from the film Solaris directed by Andrei T...