Add to ORKGWhen paintings are examined by spectroscopic techniques, building a robust database is of major importance, in order to compare the analyses with reliable references and to correctly understand the results. The database, which is usually homemade, should include carefully chosen commercial pigments, which should be as pure as possible and should correspond to the expected formula or composition of the historical pigments. Unfortunately, sometimes no correspondence between the names of the pigments used by companies and the actual composition of some of the colors is ascertained. In some cases, the composition is in fact made up of different chemical compounds; in others the presence of extenders is revealed, for example gypsum and calcite. ...
In recent years, several studies have been conducted on 19th century works of art mainly from a cogn...
International audienceFleury Richard was a colorist painter of the early 19th century. He practiced ...
Fleury Richard was a colorist painter of the early 19th century. He practiced the oil technique insp...
When paintings are examined by spectroscopic techniques, building a robust database is of major impo...
When paintings are examined by spectroscopic techniques, building a robust database is of major impo...
When paintings are examined by spectroscopic techniques, building a robust database is of major impo...
International audienceWhen paintings are examined by spectroscopic techniques, building a robust dat...
The analytical characterization of artists' pigments is a most helpful tool for art history, conserv...
The analytical characterization of artists' pigments is a most helpful tool for art history, conserv...
The analytical characterization of artists' pigments is a most helpful tool for art history, conserv...
Pigment characterisation on paintings and other works of art is crucial for finding solutions to con...
Most ofthe historical paints are mainly constituted by inorganic pigments, either pure or mixed, spr...
What can early paint trade catalogues tell us about the beginnings of the commercial paint industry?...
This paper deals with archaeological issues which lend themselves to a simple but very effective tre...
Most ofthe historical paints are mainly constituted by inorganic pigments, either pure or mixed, spr...
In recent years, several studies have been conducted on 19th century works of art mainly from a cogn...
International audienceFleury Richard was a colorist painter of the early 19th century. He practiced ...
Fleury Richard was a colorist painter of the early 19th century. He practiced the oil technique insp...
When paintings are examined by spectroscopic techniques, building a robust database is of major impo...
When paintings are examined by spectroscopic techniques, building a robust database is of major impo...
When paintings are examined by spectroscopic techniques, building a robust database is of major impo...
International audienceWhen paintings are examined by spectroscopic techniques, building a robust dat...
The analytical characterization of artists' pigments is a most helpful tool for art history, conserv...
The analytical characterization of artists' pigments is a most helpful tool for art history, conserv...
The analytical characterization of artists' pigments is a most helpful tool for art history, conserv...
Pigment characterisation on paintings and other works of art is crucial for finding solutions to con...
Most ofthe historical paints are mainly constituted by inorganic pigments, either pure or mixed, spr...
What can early paint trade catalogues tell us about the beginnings of the commercial paint industry?...
This paper deals with archaeological issues which lend themselves to a simple but very effective tre...
Most ofthe historical paints are mainly constituted by inorganic pigments, either pure or mixed, spr...
In recent years, several studies have been conducted on 19th century works of art mainly from a cogn...
International audienceFleury Richard was a colorist painter of the early 19th century. He practiced ...
Fleury Richard was a colorist painter of the early 19th century. He practiced the oil technique insp...