Add to ORKGTo what extent, in medieval Romance lyric, is the idea of an original symbiosis between word and music historically grounded? Taking into account medieval documents and texts, both literary and nonliterary, this essay explores the interpretive hypothesis that one fundamental aspect of the relationship between poetry and music remained unchanged from the origins of Romance lyric through to the end of the fourteenth century: the independence of the two forms of art in the creative process, and consequently the prevalence of a division of competence and role between poets and musicians
The purpose of the study is to determine some of the principal influences on the transmission and pr...
Cited refrains wandered through nearly every thirteenth-century French musical and poetic genre, con...
This applied research project has focussed on the sequence of compositional challenges faced when se...
To what extent, in medieval Romance lyric, is the idea of an original symbiosis between word and mus...
This thesis must be regarded as an outline, rather than an exhaustive study, of the inter-relationsh...
The metaphor of marriage is often used to describe the relationship between poetry and music in both...
The present work analyzes the so-called 'system' of lyric genres within medieval romance literatures...
This chapter examines the presence of song and sound in romance, with a particular focus on the trad...
The manuscript tradition of ancient Italian lyric poetry is almost entirely entrusted in miscellaneo...
This study examines the defining features of lyric subjectivity and its formal expression in courtly...
This dissertation examines a medieval genre that combines narration, in prose or verse, with inserte...
Within the long-standing, and yet still lively debate over the origin of Romance poetry in general, ...
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illum...
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illum...
The dissertation is an attempt to elucidate and compare the various allegorical functions of musical...
The purpose of the study is to determine some of the principal influences on the transmission and pr...
Cited refrains wandered through nearly every thirteenth-century French musical and poetic genre, con...
This applied research project has focussed on the sequence of compositional challenges faced when se...
To what extent, in medieval Romance lyric, is the idea of an original symbiosis between word and mus...
This thesis must be regarded as an outline, rather than an exhaustive study, of the inter-relationsh...
The metaphor of marriage is often used to describe the relationship between poetry and music in both...
The present work analyzes the so-called 'system' of lyric genres within medieval romance literatures...
This chapter examines the presence of song and sound in romance, with a particular focus on the trad...
The manuscript tradition of ancient Italian lyric poetry is almost entirely entrusted in miscellaneo...
This study examines the defining features of lyric subjectivity and its formal expression in courtly...
This dissertation examines a medieval genre that combines narration, in prose or verse, with inserte...
Within the long-standing, and yet still lively debate over the origin of Romance poetry in general, ...
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illum...
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illum...
The dissertation is an attempt to elucidate and compare the various allegorical functions of musical...
The purpose of the study is to determine some of the principal influences on the transmission and pr...
Cited refrains wandered through nearly every thirteenth-century French musical and poetic genre, con...
This applied research project has focussed on the sequence of compositional challenges faced when se...