This article deals with ivory consular diptychs dating around the first half of the sixth century. All these diptychs but one depict consuls appointed in Constantinople, but they were all found in the former Western Roman Empire, mainly in cities belonging to the Frankish Kingdom. Considering their chronology and sixth century history, this paper shows that consular diptychs were often sent by the emperor to Germanic kings or Roman senators as diplomatic gifts. A specific focus is dedicated to the Barberini Diptych, which arrived in Gaul together with a Byzantine embassy. The Frankish king Clovis is portrayed as a consul on its left panel
The article deals with four porphyry statues wearing late antique tunica-chlamys attire in Vienna, B...
The article examines the fourth and final portrait type of Marcus Aurelius. A date of A.D. 166 for i...
The byzantine diplomacy has been for long time an object for the historical research, its efficiency...
This article deals with ivory consular diptychs dating around the first half of the sixth century. A...
The Lucca Cathedral Museum exhibits one of the ivory diptychs commissioned by Flavius Areobindus Dag...
The Barberini ivory is a leaf from an imperial ivory diptych dating from the first half of the 6th c...
The contribution examines eight late antique ivory diptychs pertaining to the earliest known example...
Starting from the written sources which talk about diptychs (a law of the Codex Theodosianus (384), ...
This article explores and examines the consulship as an institution in the Eastern and Western halve...
Diptych of Areoblindus (Consul) Constantinople A.D. 506. Ivory. 38.8cm x 13.7cm. arena. Paris - Clun...
This article examines the influence of Roman imperial symbols of authority on Carolingian coinage. D...
The Boethius diptych, preserved in the Museo di Santa Giulia in Brescia, was commissioned on the occ...
Δεν διατίθεται περίληψη.The Benaki Museum comb (inv. no. 10287) was acquired in 1925 from the Paris ...
Il saggio è dedicato alle otto porte bronzee bizantine arrivate da Costantinopoli in Italia tra il 1...
Byzantine-Frankish Relations Portrayed in the Letters of Merovingian Monarchs to Emperor Justinian I...
The article deals with four porphyry statues wearing late antique tunica-chlamys attire in Vienna, B...
The article examines the fourth and final portrait type of Marcus Aurelius. A date of A.D. 166 for i...
The byzantine diplomacy has been for long time an object for the historical research, its efficiency...
This article deals with ivory consular diptychs dating around the first half of the sixth century. A...
The Lucca Cathedral Museum exhibits one of the ivory diptychs commissioned by Flavius Areobindus Dag...
The Barberini ivory is a leaf from an imperial ivory diptych dating from the first half of the 6th c...
The contribution examines eight late antique ivory diptychs pertaining to the earliest known example...
Starting from the written sources which talk about diptychs (a law of the Codex Theodosianus (384), ...
This article explores and examines the consulship as an institution in the Eastern and Western halve...
Diptych of Areoblindus (Consul) Constantinople A.D. 506. Ivory. 38.8cm x 13.7cm. arena. Paris - Clun...
This article examines the influence of Roman imperial symbols of authority on Carolingian coinage. D...
The Boethius diptych, preserved in the Museo di Santa Giulia in Brescia, was commissioned on the occ...
Δεν διατίθεται περίληψη.The Benaki Museum comb (inv. no. 10287) was acquired in 1925 from the Paris ...
Il saggio è dedicato alle otto porte bronzee bizantine arrivate da Costantinopoli in Italia tra il 1...
Byzantine-Frankish Relations Portrayed in the Letters of Merovingian Monarchs to Emperor Justinian I...
The article deals with four porphyry statues wearing late antique tunica-chlamys attire in Vienna, B...
The article examines the fourth and final portrait type of Marcus Aurelius. A date of A.D. 166 for i...
The byzantine diplomacy has been for long time an object for the historical research, its efficiency...