The pace of change in recordedmusic technology has accelerated faster than ever during the past two decades with the shift from analog to digital. Digital recordings provide consumers the unimpeded ability to access, sample, learn about, acquire, store, and share vast amounts of music as never before. Supporters of winner-take-all theory believe lower search and transaction costs brought about by digitization have led to greater convergence with fewer extraordinarily popular songs (blockbusters) and a smaller number of artists who perform them (superstars). Supporters of long-tail theory believe the same factors have led to less convergence and a greater number of songs and artists becoming blockbusters and superstars. This work pits these ...
Since 1999 the recording industries have seen a dramatic and steady decline in the sale of the compa...
Prior to digitalisation, the vertical structure of the market for recorded music could be described ...
International audienceIn this paper, we use data from a survey of 151 French record companies to tes...
The pace of change in recordedmusic technology has accelerated faster than ever during the past two ...
Recent technological and market forces have profoundly impacted the music industry. Emphasizing thre...
This thesis will examine the increased amount of information made available through modern media, an...
Digital music formats and the Internet as a distribution mechanism have fundamentally disrupted the ...
Abstract The digitization of music has changed how we consume, produce, and distribute music. In thi...
Similar to most other creative industries, the evolution of the music industry is heavily shaped by ...
Since its early days, the Internet has been used by the music industry as a powerful marketing tool ...
<p>The existence of highly skewed success distributions in the music industry has been repeatedly de...
The 1990s features the dominance of the compact disc (CD) and subsequent peak in revenue within the ...
According to the entertainment industry, the digital revolution is usurping its product and undermin...
The music industry underwent a revolution with the advance of digitisation, which was a disaster for...
The existence of highly skewed success distributions in the music industry has been repeatedly demon...
Since 1999 the recording industries have seen a dramatic and steady decline in the sale of the compa...
Prior to digitalisation, the vertical structure of the market for recorded music could be described ...
International audienceIn this paper, we use data from a survey of 151 French record companies to tes...
The pace of change in recordedmusic technology has accelerated faster than ever during the past two ...
Recent technological and market forces have profoundly impacted the music industry. Emphasizing thre...
This thesis will examine the increased amount of information made available through modern media, an...
Digital music formats and the Internet as a distribution mechanism have fundamentally disrupted the ...
Abstract The digitization of music has changed how we consume, produce, and distribute music. In thi...
Similar to most other creative industries, the evolution of the music industry is heavily shaped by ...
Since its early days, the Internet has been used by the music industry as a powerful marketing tool ...
<p>The existence of highly skewed success distributions in the music industry has been repeatedly de...
The 1990s features the dominance of the compact disc (CD) and subsequent peak in revenue within the ...
According to the entertainment industry, the digital revolution is usurping its product and undermin...
The music industry underwent a revolution with the advance of digitisation, which was a disaster for...
The existence of highly skewed success distributions in the music industry has been repeatedly demon...
Since 1999 the recording industries have seen a dramatic and steady decline in the sale of the compa...
Prior to digitalisation, the vertical structure of the market for recorded music could be described ...
International audienceIn this paper, we use data from a survey of 151 French record companies to tes...