Certain types of introductory formulas typical of klephtic epic songs are synoptically demonstrated and analyzed. The introduction outlines the historical development of this category of folk songs, based on occasionally opposing views of literary historians and scholars concerned with the study of Greek folklore. The analysis, performed on a selected corpus of Greek klephtic epic songs, reveals basic structural principles that the anonymous folk singer abided by whilst composing these songs
The term gusle refers to both a musical instrument and the South Slavic epic tradition. Because it h...
In this work, I will investigate the historical origins and the most essential features of Greek epi...
The aim of this paper is to examine how the Albanian epic known as the ‘Cycle of the Frontier Warrio...
Certain types of introductory formulas typical of klephtic epic songs are synoptically demonstrat...
The study of ancient Greek oral epic traditions today revolves around a complex and hotly debated as...
This paper primarily seeks to demonstrate the position and importance of specific initial (introduct...
This study will focus its work in the legendary epic songs or otherwise originally known and called ...
Macedonian folk literature, which has its beginnings in the distant past, developed over a long peri...
This article is about the modellative potential of a genre, i.e. about one of the main theoretical q...
The songs of the early Greek epos do not survive with reliable dates attached. The texts provide few...
The author analyzes a typical feature o£ Croato-serbian folk literature, namely classical subjects o...
Macedonia is a country exceptionally rich in diverse and in some regions still surviving musi-cal fo...
U središtu zanimanja su junačke epske pjesme iz ciklusa "Kralj Marko oslobađa robove okovane trima l...
Special Editions 130. Institute for Balkan Studies of the Serbian Academy of Sciences and Art
Abstract The phenomenon I intend to examine in this essay is likewise common to very many oral tradi...
The term gusle refers to both a musical instrument and the South Slavic epic tradition. Because it h...
In this work, I will investigate the historical origins and the most essential features of Greek epi...
The aim of this paper is to examine how the Albanian epic known as the ‘Cycle of the Frontier Warrio...
Certain types of introductory formulas typical of klephtic epic songs are synoptically demonstrat...
The study of ancient Greek oral epic traditions today revolves around a complex and hotly debated as...
This paper primarily seeks to demonstrate the position and importance of specific initial (introduct...
This study will focus its work in the legendary epic songs or otherwise originally known and called ...
Macedonian folk literature, which has its beginnings in the distant past, developed over a long peri...
This article is about the modellative potential of a genre, i.e. about one of the main theoretical q...
The songs of the early Greek epos do not survive with reliable dates attached. The texts provide few...
The author analyzes a typical feature o£ Croato-serbian folk literature, namely classical subjects o...
Macedonia is a country exceptionally rich in diverse and in some regions still surviving musi-cal fo...
U središtu zanimanja su junačke epske pjesme iz ciklusa "Kralj Marko oslobađa robove okovane trima l...
Special Editions 130. Institute for Balkan Studies of the Serbian Academy of Sciences and Art
Abstract The phenomenon I intend to examine in this essay is likewise common to very many oral tradi...
The term gusle refers to both a musical instrument and the South Slavic epic tradition. Because it h...
In this work, I will investigate the historical origins and the most essential features of Greek epi...
The aim of this paper is to examine how the Albanian epic known as the ‘Cycle of the Frontier Warrio...