The Textile Museum of Canada holds a collection of close to 200 printed fabrics designed by Inuit artists at Kinngait Studios in Kinngait (Cape Dorset), Nunavut, Canada in the 1950s and 1960s. The pieces are owned by the West Baffin Eskimo Co-operative (WBEC) and are on longterm loan to the Museum. Building on centuries-old Inuit graphic traditions, printmaking was introduced in Kinngait in 1957 as part of a larger initiative to encourage handicraft production for sale in the Canadian south. By the 1960s, the studio had a number of Inuit artists who contributed to the Kinngait Studios’ print program which included a commercial hand-printed fabric enterprise. A selection of these fabrics exhibited at Expo 67 (The 1967 International and Unive...
An Indigenous methodological framework of decolonization and Indigenization must support an Inuit-le...
Catalogue published on the occasion of a group exhibition featuring Inuit lithography. Cartwright's ...
Tattooing was a widespread form of self-ornamentation amongst the Inuit for millennia before the fir...
The Textile Museum of Canada holds a collection of close to 200 printed fabrics designed by Inuit ar...
The history of printmaking in Baker Lake is also the history of a people going towards self-sufficie...
“Sanaugavut: Art from Kinngait” explores 20th century Inuit art from an Inuk’s perspective to highli...
Starting from the recent promotion of the inuksuk, which was crowned the official logo of the 2010 V...
This paper outlines the experience of Inuit art exhibitions abroad and examines the ways in which th...
Missionaries, teachers and art advisers during the 1970s introduced the process of fabric printing t...
The purpose of this study was to investigate Chilkat blanket weaving on Vancouver Island. Who were t...
Lumsden outlines the history of drawing and carving in the Arctic. The impact of carving and printma...
This paper examines Nuu-chah-nulth First Nations\u27 traditions of producing bodily adornments and c...
The importance of the artists voice in art historical scholarship is essential as we emerge from pos...
This study investigated the current state, regional differentiation and prospects of the Indigenous ...
The main issues addressed in the thesis are the past and present importance of sewing to women in Ig...
An Indigenous methodological framework of decolonization and Indigenization must support an Inuit-le...
Catalogue published on the occasion of a group exhibition featuring Inuit lithography. Cartwright's ...
Tattooing was a widespread form of self-ornamentation amongst the Inuit for millennia before the fir...
The Textile Museum of Canada holds a collection of close to 200 printed fabrics designed by Inuit ar...
The history of printmaking in Baker Lake is also the history of a people going towards self-sufficie...
“Sanaugavut: Art from Kinngait” explores 20th century Inuit art from an Inuk’s perspective to highli...
Starting from the recent promotion of the inuksuk, which was crowned the official logo of the 2010 V...
This paper outlines the experience of Inuit art exhibitions abroad and examines the ways in which th...
Missionaries, teachers and art advisers during the 1970s introduced the process of fabric printing t...
The purpose of this study was to investigate Chilkat blanket weaving on Vancouver Island. Who were t...
Lumsden outlines the history of drawing and carving in the Arctic. The impact of carving and printma...
This paper examines Nuu-chah-nulth First Nations\u27 traditions of producing bodily adornments and c...
The importance of the artists voice in art historical scholarship is essential as we emerge from pos...
This study investigated the current state, regional differentiation and prospects of the Indigenous ...
The main issues addressed in the thesis are the past and present importance of sewing to women in Ig...
An Indigenous methodological framework of decolonization and Indigenization must support an Inuit-le...
Catalogue published on the occasion of a group exhibition featuring Inuit lithography. Cartwright's ...
Tattooing was a widespread form of self-ornamentation amongst the Inuit for millennia before the fir...