The history of printmaking in Baker Lake is also the history of a people going towards self-sufficiency and nationhood: "a culture employing art unconsciously for identity while moving inevitably into the unknown" (Bloore, 1973: Foreword). ... [The author describes the conditions under which she moved to Baker Lake to set up the drawing and printmaking program for Nunavut Arctic College. This was the first time since the late 1980s that printmaking was going to be done there. After tracing the history of printmaking in Baker Lake, Fisher describes the problems faced by the artists in securing adequate space to pursue their work, problems of marketing, and the lamentable lack of tangible appreciation for the valuable contribution these artis...
This exhibition pamphlet, featuring 16 colour illustrations exemplifying the featured prints by Inui...
Anyone who has seen the Holman Island Inuit printmakers' work, on calendars, in museums, or in galle...
Citing the artists' cooperative approach to art making as indicative of the way of life of the Baker...
While stressing that Inuit printmakers from Baker Lake should be appreciated individually, Thomson d...
Since the late-1940s, Canadian Inuit (Eskimo) artists have been recognized for their aesthetically s...
Noting the work of Oonark and Anguhadluq, Settler refects upon the impact of prints by artists at Ba...
The Textile Museum of Canada holds a collection of close to 200 printed fabrics designed by Inuit ar...
Identifying the Sanavik Cooperative's artists' integrated approach as unique, Swinton examines the y...
Documenting an exhibition featuring art produced at Baker Lake, this catalogue includes the history ...
In the introduction to the 1977 print collection, Martin acknowledges the difficulties of Government...
Two problems in the appreciation of Inuit art are firstly, the commercial cornerstone and, secondly,...
Documenting 35 years of drawing at Baker Lake, four essayists treat various aspects of the history, ...
Publication to accompany a touring exhibition of Inuit drawings selected from the Macdonald Stewart ...
This article examines creative writing, publishing, and empowerment of Inuit adult learners in Baker...
Lumsden outlines the history of drawing and carving in the Arctic. The impact of carving and printma...
This exhibition pamphlet, featuring 16 colour illustrations exemplifying the featured prints by Inui...
Anyone who has seen the Holman Island Inuit printmakers' work, on calendars, in museums, or in galle...
Citing the artists' cooperative approach to art making as indicative of the way of life of the Baker...
While stressing that Inuit printmakers from Baker Lake should be appreciated individually, Thomson d...
Since the late-1940s, Canadian Inuit (Eskimo) artists have been recognized for their aesthetically s...
Noting the work of Oonark and Anguhadluq, Settler refects upon the impact of prints by artists at Ba...
The Textile Museum of Canada holds a collection of close to 200 printed fabrics designed by Inuit ar...
Identifying the Sanavik Cooperative's artists' integrated approach as unique, Swinton examines the y...
Documenting an exhibition featuring art produced at Baker Lake, this catalogue includes the history ...
In the introduction to the 1977 print collection, Martin acknowledges the difficulties of Government...
Two problems in the appreciation of Inuit art are firstly, the commercial cornerstone and, secondly,...
Documenting 35 years of drawing at Baker Lake, four essayists treat various aspects of the history, ...
Publication to accompany a touring exhibition of Inuit drawings selected from the Macdonald Stewart ...
This article examines creative writing, publishing, and empowerment of Inuit adult learners in Baker...
Lumsden outlines the history of drawing and carving in the Arctic. The impact of carving and printma...
This exhibition pamphlet, featuring 16 colour illustrations exemplifying the featured prints by Inui...
Anyone who has seen the Holman Island Inuit printmakers' work, on calendars, in museums, or in galle...
Citing the artists' cooperative approach to art making as indicative of the way of life of the Baker...