Three recent publications shed new light on the links, transmissions and infiltrations of tendencies, themes and concepts which constructed modernity, and which still inform it, especially in the United States. They deal with the posterity of La Controverse : Learning from Las Vegas and its retroactiveness, the “double effect” of Dada (Double-Barrelled Gun), and the shift of “points of coordination” away from a certain artistic grammar due to the contribution of what was long regarded as a su..
In this thesis, I analyze the critical framings of modernista artists Ramon Casas\u27 (1866-1932) an...
“The archaeology of kinetic art still has to be written”, we could read in 1968 in the magazine Robh...
Pese al tiempo transcurrido, Democracy in America de Alexis de Tocqueville continúa siendo una obra ...
This study considers Learning from Las Vegas – the book co-written by the architects Robert Venturi,...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
In 1989, Magiciens de la terre was introduced as the “first truly international exhibition, bringing...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
After smelling the sulphur and incarnating the avant-garde élite, Michel Foucault’s laughter, Jacque...
That many-facetted character Brian O’Doherty (critic, artist, arts administrator, writer, media pers...
For a long time the historiographer has only had access to two versions of the facts: the Situationi...
Art and literature. These terms reflect a French tradition built at the intersection of writing and ...
The article examines the impact of the exhibitions “La Presenza del passato”, curated by Paolo Por-t...
In 1992, Bernard Ceysson explained that at the beginning of the 1970s, as the young curator of the S...
While the current day and age marked by a booming globalization is ceaselessly calling for an expans...
The history of the avant-garde, or “experimental”, cinema is not well-known in France. So there is g...
In this thesis, I analyze the critical framings of modernista artists Ramon Casas\u27 (1866-1932) an...
“The archaeology of kinetic art still has to be written”, we could read in 1968 in the magazine Robh...
Pese al tiempo transcurrido, Democracy in America de Alexis de Tocqueville continúa siendo una obra ...
This study considers Learning from Las Vegas – the book co-written by the architects Robert Venturi,...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
In 1989, Magiciens de la terre was introduced as the “first truly international exhibition, bringing...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
After smelling the sulphur and incarnating the avant-garde élite, Michel Foucault’s laughter, Jacque...
That many-facetted character Brian O’Doherty (critic, artist, arts administrator, writer, media pers...
For a long time the historiographer has only had access to two versions of the facts: the Situationi...
Art and literature. These terms reflect a French tradition built at the intersection of writing and ...
The article examines the impact of the exhibitions “La Presenza del passato”, curated by Paolo Por-t...
In 1992, Bernard Ceysson explained that at the beginning of the 1970s, as the young curator of the S...
While the current day and age marked by a booming globalization is ceaselessly calling for an expans...
The history of the avant-garde, or “experimental”, cinema is not well-known in France. So there is g...
In this thesis, I analyze the critical framings of modernista artists Ramon Casas\u27 (1866-1932) an...
“The archaeology of kinetic art still has to be written”, we could read in 1968 in the magazine Robh...
Pese al tiempo transcurrido, Democracy in America de Alexis de Tocqueville continúa siendo una obra ...