“The archaeology of kinetic art still has to be written”, we could read in 1968 in the magazine Robho. But the proposal to revise the official history of this tendency, whose epicentre was established in Paris around the Denise René gallery with the mythical exhibition Le Mouvement (April 1965), had to wait for several decades before resurfacing today. At a time when Kinetic Art seems to be enjoying a revival of interest, from critics and the market alike, several publications are involved in..
Between 1959 and 1968 kinetic artist Jean Tinguely made a series of proposals for large-scale kineti...
The existence of the history of exhibitions as a discipline needs no further demonstration. Publicat...
If the Archives de la critique d’art are a trove of valuable resources, they also encompass and unde...
The exhibition and catalogue both titled L’Œil moteur: art optique et cinétique, 1950-1975 are part ...
In 1989, Magiciens de la terre was introduced as the “first truly international exhibition, bringing...
This dissertation examines the development of kinetic art—a genre comprising motorized, manipulable,...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
Since when might we say that the history of art has been changing into the geography of art, and tha...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
Although anniversaries are often reduced to occasions for canonisation, which can have a somewhat da...
In 1991, the Archives de la critique d’art brought together various publishersand the contemporary a...
The current publishing scene is simultaneously offering French readers a series of works with dispar...
To avoid being any longer confined within the circle of apparently resolved issues, art history must...
These days, the view of the exhibition seems to be an obligatory way of dealing with the relation be...
This publication goes hand-in-hand with the inaugural exhibition celebrating the re-opening of the V...
Between 1959 and 1968 kinetic artist Jean Tinguely made a series of proposals for large-scale kineti...
The existence of the history of exhibitions as a discipline needs no further demonstration. Publicat...
If the Archives de la critique d’art are a trove of valuable resources, they also encompass and unde...
The exhibition and catalogue both titled L’Œil moteur: art optique et cinétique, 1950-1975 are part ...
In 1989, Magiciens de la terre was introduced as the “first truly international exhibition, bringing...
This dissertation examines the development of kinetic art—a genre comprising motorized, manipulable,...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
Since when might we say that the history of art has been changing into the geography of art, and tha...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
Although anniversaries are often reduced to occasions for canonisation, which can have a somewhat da...
In 1991, the Archives de la critique d’art brought together various publishersand the contemporary a...
The current publishing scene is simultaneously offering French readers a series of works with dispar...
To avoid being any longer confined within the circle of apparently resolved issues, art history must...
These days, the view of the exhibition seems to be an obligatory way of dealing with the relation be...
This publication goes hand-in-hand with the inaugural exhibition celebrating the re-opening of the V...
Between 1959 and 1968 kinetic artist Jean Tinguely made a series of proposals for large-scale kineti...
The existence of the history of exhibitions as a discipline needs no further demonstration. Publicat...
If the Archives de la critique d’art are a trove of valuable resources, they also encompass and unde...