Add to ORKGYeh Vance, Catherine. Recasting the Chinese Novel: Ernest Major's Shenbao Publishing House (1872–1890). Transcultural Studies, 1, 2015. URL : http://heiup.uni-heidelberg.de/journals/index.php/transcultural/article/view/22205/16614 (consulté le 28 septembre 2015) The modern novel announced its arrival in China after the aborted Hundred Days Reform of 1898 with the claim of being the truly "new novel" (xin xiaoshuo 新小說).[1] Recent scholarship (including my own) has highlighted the social and po..
Since the beginning of the May Fourth era in 1919, modern Chinese literature has been dominated to s...
What is a detail? How is it different from xijie, its Chinese counterpart? Is reading for the detai...
This paper studies the evermore widespread phenomenon of the adaptation of novels for the stage, foc...
Yeh Vance, Catherine. Recasting the Chinese Novel: Ernest Major's Shenbao Publishing House (1872–189...
Recent studies have convincingly mapped the literary beginnings of the modern Chinese novel since th...
In the early stage of the introduction of foreign fiction to Chinese readers, newspapers and magazin...
The first modern Chinese study of the history of premodern Chinese fiction is Lu Xun’s 魯迅 (1881-1936...
In China, stream-of-consciousness (SOC) fiction had for some time been thought of as untranslatable....
Between the founding of the Republic in 1912 and the 1937 outbreak of the Second Sino-Japanese War, ...
Bringing the World Home sheds new light on China’s vibrant cultural life between 1895 and 1919—a cru...
A paucity of authentic historical works on ancient China may present difficulties for writers of Chi...
The novel Shengsi pilao, written by a contemporary Chinese author Mo Yan, is a free continuation of ...
The year 1919 changed Chinese culture radically, but in a way that completely took contemporaries by...
Fiction has emerged as a major medium for modern Chinese to express their imagination and 'narrate' ...
The main focus of this study is the changing patterns of historical representation in modern and con...
Since the beginning of the May Fourth era in 1919, modern Chinese literature has been dominated to s...
What is a detail? How is it different from xijie, its Chinese counterpart? Is reading for the detai...
This paper studies the evermore widespread phenomenon of the adaptation of novels for the stage, foc...
Yeh Vance, Catherine. Recasting the Chinese Novel: Ernest Major's Shenbao Publishing House (1872–189...
Recent studies have convincingly mapped the literary beginnings of the modern Chinese novel since th...
In the early stage of the introduction of foreign fiction to Chinese readers, newspapers and magazin...
The first modern Chinese study of the history of premodern Chinese fiction is Lu Xun’s 魯迅 (1881-1936...
In China, stream-of-consciousness (SOC) fiction had for some time been thought of as untranslatable....
Between the founding of the Republic in 1912 and the 1937 outbreak of the Second Sino-Japanese War, ...
Bringing the World Home sheds new light on China’s vibrant cultural life between 1895 and 1919—a cru...
A paucity of authentic historical works on ancient China may present difficulties for writers of Chi...
The novel Shengsi pilao, written by a contemporary Chinese author Mo Yan, is a free continuation of ...
The year 1919 changed Chinese culture radically, but in a way that completely took contemporaries by...
Fiction has emerged as a major medium for modern Chinese to express their imagination and 'narrate' ...
The main focus of this study is the changing patterns of historical representation in modern and con...
Since the beginning of the May Fourth era in 1919, modern Chinese literature has been dominated to s...
What is a detail? How is it different from xijie, its Chinese counterpart? Is reading for the detai...
This paper studies the evermore widespread phenomenon of the adaptation of novels for the stage, foc...