Add to ORKGThe struggle between motion picture exhibitors and distributors has resulted in continually changing business practices within the film industry. In particular, state anti-blind bidding statutes have changed the way film distribution is handled in the United States. The author traces the history of film licensing and concludes that anti-blind bidding legislation was unwarranted and has damaged the smaller, independent exhibitors and distributors
At the Movies: The Economics of Exhibition Contracts Abstract: We describe a real-world profit shari...
The first sale doctrine, codified at 17 U.S.C. § 109, grants the owners of a copy of a copyrighted w...
There has been growing interest in the field of obscenity and its regulation, and these two comments...
The struggle between motion picture exhibitors and distributors has resulted in continually changing...
For years, movie distributors have used blind bidding, a licensing method under which an exhibitor...
The views expressed in the Working Paper Series are those of the author(s) and do no
In the 1970s motion picture studios used blind bidding and non-refundable guarantees to reduce the r...
The supply chain for movies released for theatrical exhibition consists of the distributor, exhibito...
The United States Department of Justice (DOJ) launched a major program in the mid-1980s against fil...
This dissertation investigates the evolving market structure of the American motion picture industry...
Since the 1970s, at any given movie theater, one price has been charged for all movies, seven days a...
Production patterns in the US movie industry changed drastically between 1940 and 1960. During these...
In the period prior to the inclusion of motion pictures in copyright law in 1912, film producers had...
This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competit...
In the 1940s Hollywood saw the biggest changes in its history. Based on a series of antitrust invest...
At the Movies: The Economics of Exhibition Contracts Abstract: We describe a real-world profit shari...
The first sale doctrine, codified at 17 U.S.C. § 109, grants the owners of a copy of a copyrighted w...
There has been growing interest in the field of obscenity and its regulation, and these two comments...
The struggle between motion picture exhibitors and distributors has resulted in continually changing...
For years, movie distributors have used blind bidding, a licensing method under which an exhibitor...
The views expressed in the Working Paper Series are those of the author(s) and do no
In the 1970s motion picture studios used blind bidding and non-refundable guarantees to reduce the r...
The supply chain for movies released for theatrical exhibition consists of the distributor, exhibito...
The United States Department of Justice (DOJ) launched a major program in the mid-1980s against fil...
This dissertation investigates the evolving market structure of the American motion picture industry...
Since the 1970s, at any given movie theater, one price has been charged for all movies, seven days a...
Production patterns in the US movie industry changed drastically between 1940 and 1960. During these...
In the period prior to the inclusion of motion pictures in copyright law in 1912, film producers had...
This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competit...
In the 1940s Hollywood saw the biggest changes in its history. Based on a series of antitrust invest...
At the Movies: The Economics of Exhibition Contracts Abstract: We describe a real-world profit shari...
The first sale doctrine, codified at 17 U.S.C. § 109, grants the owners of a copy of a copyrighted w...
There has been growing interest in the field of obscenity and its regulation, and these two comments...