At the Movies: The Economics of Exhibition Contracts Abstract: We describe a real-world profit sharing contract- the movie exhibition contract-and consider alternative explanations for its use. Two explanations based on difficulties with forecasting fit the facts better than asymmetric information models. The first emphasizes two-sided risk aversion; the second emphasizes measurement costs. Transaction costs and long-term relationships also affect contractual practices. We use an original data set of all exhibition contracts involving thirteen theaters owned by a prominent St. Louis exhibitor over a two-year period to inform our theories and test hypotheses
Moviemaking process is complicated and includes many participants. In most emerging economies it is ...
ABSTRACT. This paper extends the traditional, static cost and revenue model developed in manufacturi...
The struggle between motion picture exhibitors and distributors has resulted in continually changing...
This paper empirically examines contract renegotiation and learning in the movie industry un-der lon...
A large body of theoretical work has explored the channels through which vertical contracts can indu...
This chapter is an overview of a new kind of economics of the movies; it also is my attempt to lay a...
We present an experimental study of a risky sequential bargain-ing to model negotiations in risky jo...
A large body of theoretical work has explored the channels through which vertical contracts can indu...
The supply chain for movies released for theatrical exhibition consists of the distributor, exhibito...
This paper empirically examines contract renegotiation and learning in the movie industry under long...
We present an experimental study of a risky sequential bargaining to model negotiations in risky joi...
I analyze how variation in firm boundaries affect economic outcomes in the movie industry. Specifica...
Contractual arrangements have been the subject of a substantial body of economic research. In parti...
Uniform pricing in the motion-picture industry is puzzling in light of the potential profitability o...
When is it optimal for a multi-product firm to exit a product? We analyze strategic product exit us...
Moviemaking process is complicated and includes many participants. In most emerging economies it is ...
ABSTRACT. This paper extends the traditional, static cost and revenue model developed in manufacturi...
The struggle between motion picture exhibitors and distributors has resulted in continually changing...
This paper empirically examines contract renegotiation and learning in the movie industry un-der lon...
A large body of theoretical work has explored the channels through which vertical contracts can indu...
This chapter is an overview of a new kind of economics of the movies; it also is my attempt to lay a...
We present an experimental study of a risky sequential bargain-ing to model negotiations in risky jo...
A large body of theoretical work has explored the channels through which vertical contracts can indu...
The supply chain for movies released for theatrical exhibition consists of the distributor, exhibito...
This paper empirically examines contract renegotiation and learning in the movie industry under long...
We present an experimental study of a risky sequential bargaining to model negotiations in risky joi...
I analyze how variation in firm boundaries affect economic outcomes in the movie industry. Specifica...
Contractual arrangements have been the subject of a substantial body of economic research. In parti...
Uniform pricing in the motion-picture industry is puzzling in light of the potential profitability o...
When is it optimal for a multi-product firm to exit a product? We analyze strategic product exit us...
Moviemaking process is complicated and includes many participants. In most emerging economies it is ...
ABSTRACT. This paper extends the traditional, static cost and revenue model developed in manufacturi...
The struggle between motion picture exhibitors and distributors has resulted in continually changing...