In this book chapter originally presented as a paper at the 18th Annual International Conference on Virginia Woolf, June 19-22 2008 held by the University of Denver, Professor Humm discusses Virginia Woolf’s review of the Royal Academy 1919 summer exhibition “The Royal Academy,” in which she obscures the contribution of women artists as well as the significant date of the exhibition which was the first since the end of the war. Woolf’s review together with the 1919 exhibition itself, raises gender and political issues and presents a crucial case study of ambiguities in Woolf’s writings as well as in contemporary critical difficulties with “modernism” itself
In this book chapter originally presented as a plenary paper at the International Conference ‘Contem...
This short article explores the similarities between Walter Benjamin\u27s theory about the disruptiv...
After the Modernist literary experiments of her earlier work, Virginia Woolf became increasingly con...
Virginia Woolf’s work is shaped by her knowledge of, and fascination with, visual cultures. Orlando,...
Woolf the publisher remains that “drab figure in the gray overalls” for many Woolf scholars, despite...
“So, how should we edit the writings of Virginia Woolf?” ask Jane Goldman and Susan Sellers in their...
A brief commentary prepared by Sheila Hassell Hughes, PhD, Professor, English, on the following work...
In this book chapter, originally presented as a plenary paper at the 14th Annual International Confe...
There has been substantial work done by critics over the years into the materiality of Virginia Wool...
All the major modernist women, H. D., Dorothy Richardson and Virginia Woolf owned the ‘vest-pocket’ ...
This thesis explores the development of Virginia Woolf’s late cultural criticism. While contemporar...
From 2000, criticism on Woolf and the visual has quadrupled in volume. The research work about a pho...
The scope and influence of literary Modernism continues to expand, and current scholarship includes ...
A study of Virginia Woolf and the effects of the Hogarth Press on her fiction writing. The study beg...
The triumph of Virginia Woolf’s career as a novelist is one of the most famous stories of the 20th c...
In this book chapter originally presented as a plenary paper at the International Conference ‘Contem...
This short article explores the similarities between Walter Benjamin\u27s theory about the disruptiv...
After the Modernist literary experiments of her earlier work, Virginia Woolf became increasingly con...
Virginia Woolf’s work is shaped by her knowledge of, and fascination with, visual cultures. Orlando,...
Woolf the publisher remains that “drab figure in the gray overalls” for many Woolf scholars, despite...
“So, how should we edit the writings of Virginia Woolf?” ask Jane Goldman and Susan Sellers in their...
A brief commentary prepared by Sheila Hassell Hughes, PhD, Professor, English, on the following work...
In this book chapter, originally presented as a plenary paper at the 14th Annual International Confe...
There has been substantial work done by critics over the years into the materiality of Virginia Wool...
All the major modernist women, H. D., Dorothy Richardson and Virginia Woolf owned the ‘vest-pocket’ ...
This thesis explores the development of Virginia Woolf’s late cultural criticism. While contemporar...
From 2000, criticism on Woolf and the visual has quadrupled in volume. The research work about a pho...
The scope and influence of literary Modernism continues to expand, and current scholarship includes ...
A study of Virginia Woolf and the effects of the Hogarth Press on her fiction writing. The study beg...
The triumph of Virginia Woolf’s career as a novelist is one of the most famous stories of the 20th c...
In this book chapter originally presented as a plenary paper at the International Conference ‘Contem...
This short article explores the similarities between Walter Benjamin\u27s theory about the disruptiv...
After the Modernist literary experiments of her earlier work, Virginia Woolf became increasingly con...