Add to ORKGVirginia Woolf’s work is shaped by her knowledge of, and fascination with, visual cultures. Orlando, Flush, and Three Guineas all contain photographs, and Woolf wrote about cinema and was an enthusiastic domestic photographer. Visual artefacts of all kinds ranging from Omega Workshop crafts to Hogarth Press book designs, are part of her visual landscape. The chapter discusses Woolf’s relation to visual cultures, in particular Woolf’s ‘Portraits’, essays, ‘The Cinema’, Flush and Three Guineas
Commençant par les liens qu’entretenait Woolf avec la photographie, avec ses propres photos comme av...
Writing to Vanessa Bell in 1937, Woolf imagined ‘do you think we have the same pair of eyes, only di...
In Virginia Woolf Icon, Brenda Silver shows how Virginia Woolf became an icon in the 1960s – as oppo...
The aim of the study is to trace the links of Virginia Woolf and the cinema in her life and work. In...
All the major modernist women, H. D., Dorothy Richardson and Virginia Woolf owned the ‘vest-pocket’ ...
From 2000, criticism on Woolf and the visual has quadrupled in volume. The research work about a pho...
The articles presented here aim at seeing how photographic vision shaped Virginia Woolf’s literary a...
My thesis recognizes Virginia Woolf's writing to be composed of a mosaic of multiple art forms such ...
The complexity of the relationship between Modernism and the visual arts involves consideration of t...
Though photography offers a claim to objectivity that writing and painting cannot ostensibly equal, ...
In the last few decades, considerable critical attention has been devoted to exploring the multiple ...
This paper will focus on Woolf as a literary practitioner and on two humble activities of hers, phot...
This project is an interdisciplinary study of Virginia Woolf’s artistic representation of perception...
Partant de l'influence de la photographie victorienne de Julia Margaret Cameron, de la photographie...
y thesis argues that Virginia Woolf's London writings reveal the technique of the visual arts: paint...
Commençant par les liens qu’entretenait Woolf avec la photographie, avec ses propres photos comme av...
Writing to Vanessa Bell in 1937, Woolf imagined ‘do you think we have the same pair of eyes, only di...
In Virginia Woolf Icon, Brenda Silver shows how Virginia Woolf became an icon in the 1960s – as oppo...
The aim of the study is to trace the links of Virginia Woolf and the cinema in her life and work. In...
All the major modernist women, H. D., Dorothy Richardson and Virginia Woolf owned the ‘vest-pocket’ ...
From 2000, criticism on Woolf and the visual has quadrupled in volume. The research work about a pho...
The articles presented here aim at seeing how photographic vision shaped Virginia Woolf’s literary a...
My thesis recognizes Virginia Woolf's writing to be composed of a mosaic of multiple art forms such ...
The complexity of the relationship between Modernism and the visual arts involves consideration of t...
Though photography offers a claim to objectivity that writing and painting cannot ostensibly equal, ...
In the last few decades, considerable critical attention has been devoted to exploring the multiple ...
This paper will focus on Woolf as a literary practitioner and on two humble activities of hers, phot...
This project is an interdisciplinary study of Virginia Woolf’s artistic representation of perception...
Partant de l'influence de la photographie victorienne de Julia Margaret Cameron, de la photographie...
y thesis argues that Virginia Woolf's London writings reveal the technique of the visual arts: paint...
Commençant par les liens qu’entretenait Woolf avec la photographie, avec ses propres photos comme av...
Writing to Vanessa Bell in 1937, Woolf imagined ‘do you think we have the same pair of eyes, only di...
In Virginia Woolf Icon, Brenda Silver shows how Virginia Woolf became an icon in the 1960s – as oppo...