Walter Aaron Clark is a professor of musicology and director of the Center for Iberian and Latin American Music at the University of California, Riverside. He is the author of groundbreaking Oxford biographies of Isaac Albéniz, Enrique Granados, and Federico Moreno Torroba, and he is currently conducting research on a biography of Joaquín Rodrigo. In recognition of his contributions to the study and promotion of Spanish music and culture, King Felipe VI of Spain conferred on him the title of Comendador de la Orden de Isabel la Católica (Commander of the Order of Isabella the Catholic), a Spanish knighthood. This talk will explore the influence of artist Francisco Goya (1746-1828) on one of the greatest masterpieces of Spanish music, the Goy...
A thesis presented to the faculty of the College of Arts and Sciences at Morehead State University i...
Analiza la figura de Goya por medio de la música, los toros o el teatro lírico, en el 250 aniversari...
Discusses parallels between Granados\u27s approach to piano technique and that of Ludwig Deppe and T...
The piano suite Goyescas: los majos enamorados by the Spanish composer Enrique Granados is a set of ...
Francisco de Goya vivió una época fundamental en la Historia del teatro español, y más exactamente d...
Granados’ Goyescas is a substantial six movement work for piano that was written between the years 1...
[EN] The pioneering work in the Hispanic musicological field, particularly in the field of musical ...
The piano suite Goyescas, Los major enamorados, by the Spanish composer E. Granados, is a collection...
A finales del siglo XIX, la figura de Francisco de Goya (1746-1828) vivió un proceso de recuperación...
The aim of this mini-thesis was to investigate if the Spanish artist Francisco Jose de Goya y Lucien...
Granados is best known to opera-goers as the composer of the musically enchanting (if dramatically l...
ColofónAntepLas il. son en blanco y negroContiene: "Goya y el arte moderno: (Conferencia leída el dí...
This treatise explores the rise of Spanish musical nationalism in the late nineteenth-century piano...
During the first half on the nineteenth century, France developed an interest in Spanish art. Franci...
The main purpose of this paper is to compare the Opera Goyescas with the Goyescas Piano Suite in ord...
A thesis presented to the faculty of the College of Arts and Sciences at Morehead State University i...
Analiza la figura de Goya por medio de la música, los toros o el teatro lírico, en el 250 aniversari...
Discusses parallels between Granados\u27s approach to piano technique and that of Ludwig Deppe and T...
The piano suite Goyescas: los majos enamorados by the Spanish composer Enrique Granados is a set of ...
Francisco de Goya vivió una época fundamental en la Historia del teatro español, y más exactamente d...
Granados’ Goyescas is a substantial six movement work for piano that was written between the years 1...
[EN] The pioneering work in the Hispanic musicological field, particularly in the field of musical ...
The piano suite Goyescas, Los major enamorados, by the Spanish composer E. Granados, is a collection...
A finales del siglo XIX, la figura de Francisco de Goya (1746-1828) vivió un proceso de recuperación...
The aim of this mini-thesis was to investigate if the Spanish artist Francisco Jose de Goya y Lucien...
Granados is best known to opera-goers as the composer of the musically enchanting (if dramatically l...
ColofónAntepLas il. son en blanco y negroContiene: "Goya y el arte moderno: (Conferencia leída el dí...
This treatise explores the rise of Spanish musical nationalism in the late nineteenth-century piano...
During the first half on the nineteenth century, France developed an interest in Spanish art. Franci...
The main purpose of this paper is to compare the Opera Goyescas with the Goyescas Piano Suite in ord...
A thesis presented to the faculty of the College of Arts and Sciences at Morehead State University i...
Analiza la figura de Goya por medio de la música, los toros o el teatro lírico, en el 250 aniversari...
Discusses parallels between Granados\u27s approach to piano technique and that of Ludwig Deppe and T...